The article below provides background to two recent Stduio pieces, both writ and scripted in elementary HTML5. To hear and see them, you will need to load the corresponding hyperlinked pages in a recent version of a non-iOS web browser. Currently, results are optimal in Chrome or Safari. (Firefox comes second best; I did not yet check their performance on Android.)
1024 re-visits the endless random walk through the ookoi's early sonic universe, previously released on DVD. The interesting observation by a casual listener that 1024 suffers from a serious lack of... violins, inspired a double random walk on a grid of 1024 violin sounds.
We call it Kris Kras.
But all of our friends call it Alaska.
It is keeping the devils away.

13 min read 🤓

How to keep devils away

july 03, 2013.

A bit of history

During April's Y.7-workshop at the New Art Space Amsterdam, Jochem van der Speck provided a gentle introduction to the impressive possibilities of use of the HTML5 canvas element. It reminded me that but little over a handful of years ago, when teaching web history and languages in Paris, I was telling my students time and again that the history of hypertext markup had come to an end with the HTML 4.01 specification of December 24th, 1999, and that the future of markup was XML.

This was not really false. My claim was backed by the authoritative proceedings of the W3C, and the arguments for 'deprecating HTML' were very reasonable. The world wide web's sudden booming made it the most used markup language in the world, but originally HTML had been an ad hoc solution, thought up on the fly by Tim Berners-Lee for use with the first hypertext browser annex editor - WorldWideWeb - on his NeXt workstation at the CERN, and reflecting hardly anythinh other than the basic structure of scientific research articles and reports.

But it also wasn't really true. The consortium's words are not the web's law. In the field, HTML's development continued, with or without the W3C's consent. It had not come to an end. In this year of the web's 20th anniversary, the ever stronger presence of a next generation HTML as the 'soon to be' standard for web interactivity is the living proof.

Jochem's introduction at Y.5 was a great opportunity to finally try out some of HTML5's possibilities. And in view of Y's numbers-theme, it was sort of obvious to pick the ookoi's 1024 as a guinea pig.

Back in 2006 we wanted to provide an overview of the ookoi's fast growing collection of various audio recordings (made over the two, three years before) by means of a set of 1024 extracts from a subset of this archive. The chosen formal constraint was that each of the extracts was to last precisely 7 seconds. A self-imposed technical challenge was to present the resulting set of samples in a specific physical format: we set out to release 1024 as an endless random playback from DVD. Finding a solution to the problems that this posed took us quite a bit of head scratching, as the DVD-format was never intended to serve such purposes. It is limited to, basically, 99 accessible 'movies' and lacks the usually pretty much trivial scripting option that one would need to implement an infinite random path through a finite set of whatever elements. But through stubborn experimentation and a number of devious tricks, in the end we did arrive at a satisfactory approximation of an endless random playback on DVD of our 1024 mini-audio files...

We released the result in 2007.

In view of the simplicity of the basic idea (an infinite random walk through a large but finite set of samples) the 1024 DVD was a pretty heavy hack. Even before the DVD was released, I made a web version of the work in (then still Macromedia's) Flash. Though that version lacked the fine visual touch (with disc and cover images provided by Rob Scholte), the - infinite and random - audio playback was much smoother than playback from DVD, which does put quite a bit of stress on the mechanics of a DVD player. The laser reader may have to be moved to another region of the disc possibly every seven seconds or so.

But we never did and never will make that Flash version public. Flash already then felt like ancient history - sóóóó 1990's ;) - and something to avoid whenever possible; even though in that same period with the ookoi we did some 'Flash art' for the web site of one of Holland's leading dailies; and 'back in the early days' I did quite a bit of Flash work, both in a personal 'art brut' way and as the artistic director of a Parisian web agency that went bankrupt around the time the web bubble burst.

It was an intuitive decision to 'hold back the 1024 Flash'. And it was a good decision. For now, six years later, HTML5 provides a far more interesting browser based way to re-visit the ookoi's sonic random walk.

There is only one drawback: it is 'browser wars' all over again, and precisely how HTML5 has been implemented varies quite a bit across the plethora of, mobile and other, platforms that are currently in use. On your lap- or desktop computer you will of course need an up to date browser. As a diehard Mac user, I do not know how HTML5 based web apps behave in today's versions of Microsoft's infamous Internet Explorer, but Chrome, Safari and Firefox come with the HTML5 support you need (which for 1024 is very basic indeed). Firefox, however, appears to be slow in updating the canvas (in Chrome and Safari you will see this happen in real time). On the audio side, Firefox does not support playback of the proprietary mp3 format. One needs to serve Firefox the ogg format. As the original set of 1024 files, that I used for the Flash version of the work, were in mp3 format, I had to make a duplicate set in ogg in order to satisfy Firefox. (The 1024 DVD uses uncompressed audio. Along with the packaging, this might for some be another major reason to get hold of one of the few copies that are still left.)

I also have yet little idea how HTML5 web apps, including 1024, behave on Android based mobile platforms. And as far as iPhones and iPads are concerned: Apple, annoyingly and unreasonably, disallows autoplay of streaming audio with the HTML5 audio element. As a result, at the time of this writing 1024 will not work on your iThings.

But if you read this text on your lap- or desktop, in Chrome, Safari or Firefox, clicking this link will do the job...

ookoi's 1024

Your window will show you a real-time visualization of the 1024 random walk on a somewhat wobbly 32 x 32 grid (because a 'wobbly' grid is visually more interesting than a perfectly rectangular one). It would be easy to let this go on forever, like it does on the DVD. The piece then would only stop when you close the browser window, run out of battery, or loose your internet connection.

The current version, however, has been instructed to stop when the 1024th in the set of seven seconds ookoi samples has been played.

The probability that the random walk will not have reached this sample after playing for 7n seconds is (1023/1024)ⁿ. So there is a chance of 1 in 1024 that 1024 will play for only 7 seconds; a chance of 1 in about 10 that it will last more than 12 minutes; there's a 40% chance that it will all be over in less than an hour and a probability of a little over 8% that, even after 5 hours, 1024 is still going strong. Yet it is very unlikely indeed that playback will go on for more than the double of that...

Here are a number of screenshots of complete plays of an earlier version of the 1024 web app, with increasing duration. As you can see, the shortest one lasted a mere 21 seconds. It played back only three of the 1024 samples. I don't know the precise duration of the longest one, but from the look of the image I guess that it lasted between 1 and 2 hours. Not all vertices were reached (playing each of the 1024 samples exactly once will take a little less than 2 hours), but some of the samples were played back more often. Unlike, for example, the 'shuffle play' of your iPod, the 1024 playback algorithm does not check whether a given 'song' already has been played. Most random walks therefore will cross the vertices in a decent subset of the 1024 possible ones several times. This repetition is an important part of the game: repetition - in its many guises and senses - is at the heart of what makes 'sound' into 'music'. And 'music' into 'meta-music' ;-)

[added March 3, 2021:Read more on randomwalks on the SoundBlog]

Each time you launch the web app, you will be given one among the astronomical number of possible projections of 1024. Every time you launch it, 1024 will be different. Though in a way, of course, it will also always be the same.

Creating an HTML5 audio web app like 1024 is very similar to writing a 'classical' web page. It takes no more than looking up the specifications of the HTML5 tags you might want to use, some working knowledge of JavaScript and a text-editor. The final result is highly elastic. It is extremely easy to try out all sorts of possible variations. Here, for example, is Drusz Kharg's favorite visualization of a 1024 random walk. It is obvious why Drusz likes it this way: many of the random walks will end up looking an awful lot like a Drusz Kharg selfie.

Contrary to the physical realization on DVD, its rendition in HTML5 brings to the fore that 1024 basically is a 'playback script' that one can apply in many different ways. I like to think of it as the formalization of a Raudio channel (which have no pre-set number of tracks and no fixed track duration).

Making all sorts of variations on this basic pattern is child's play.

Kris Kras: 1024 violins, x2

A curious incident two weeks ago led me to indeed make such a '1024 variation'...

On Sunday mornings I often spend a couple of hours on the terrace of a brasserie on the corner of the nearby Saint-Mandé market place. The market, just meters away, on sundays fills the place with endlessly varying bubbles of colorful images and sounds. They let the outside world in, but at the same time lock it out. It makes it a perfect spot to sit and work.

Over the years I became acquainted with some of the brasserie's regulars. In a nodding French - Bonjour! Ca va? Bèh ouiah, ça va, ça va - sort of way. One of these regulars is a sad looking woman in her mid-forties. She always emerges from the crowd of market goers around 11h, carrying three linen bags filled with vegetables; she always sits down at a tiny round 'one person' table, in one of the terrace's corners; and she always drinks three pastis, one every fifteen minutes or so. Then she picks up her bags, exits the brasserie with a Bonne journéé, and dissolves in the crowd.

That Sunday two weeks ago I was sitting at a table next to hers, where I had begun writing this very article. 1024 was playing, silently, in one of my browser windows over the brasserie's WiFi. Every now and then I brought it to the foreground of my laptop's screen, to see how the random walk progressed. The straight red lines of varying lengths and directions that were whimsically parading across my screen, caught my neighbor's attention. I noticed her looking and looking and looking. By the time the waiter had served her a second pastis, she leaned over and asked what it was that she saw going on there.

I explained that it was a little sound piece, and that the lines actually connected dots that each corresponded to a sound being played. A sound that we could not hear just now, as I had turned the volume off. But I then asked her whether she fancied to have a listen. That proposal brought a smile to her face, something that I had never seen on there before. So I pushed the laptop in her direction, gave her my little iPhone earbuds, and turned up the sound.

The woman listened attentively for several minutes, concentrating, with an edgy look and her eyelids squeezed into narrow stripes.

Then she removed the earbuds, took a zip from her pastis and shook her head. "There's a lot of guitars," she said with a soft and somewhat shaky voice. "Too many electric guitars. You should have put in violins. Only violins will keep the devils away."

For some reason this was not a thing that I could laugh away, even if I wanted to. And the remaining part of that Sunday and most of the next day, with but very little sleep between the one and the other, I spent back home making Kris Kras, a double random walk on a grid of 1024 violin sounds.

The basic sonic ingredients for the piece I got from a wonderful pack of 246 single violin tones (consisting in six sets of the same 41 tones played in six different manners: arco non vibrato, arco vibrato, pizzicato non vibrato, pizzicato vibrato, tremolo and spiccato), performed, recorded and made available by a professional violinist, that I only know as user ldk1609 at freesound.org. The piece takes ldk1609's single tones as they are, but I also used them to make sets of derived sounds. Among these, most notable to the ear will be a set of tritones, and a number of 'tritone sequences'. Of course! Diabolus in musica : "'mi against fa', which the ancients called the 'Satan in music'..."

Unlike the samples used in ookoi's 1024, the violin sounds do not have a fixed duration. The durations vary, from less than a second to seventeen seconds. Each of the two random walks - on the canvas one is represented in white, the other in black - thus follows its contingent course in its own time, unrelated to that of the other. Sometimes chance will make the two voices clash. Sometimes it makes them sing out in seemingly intended harmony, only to hear them diverge again mere seconds later.

The black walk stops in the lower right corner, when the 1024th sound is played. The white walk ends in the upper left corner, when the 1st sound is played. When both black and white are walking, playing will stop when they meet, i.e. when the two flaneurs hit upon the same sound at (approximately) the same time. In the screenshot above the two, very short, walks meet in the upper right corner of the image. That is were this particular play of Kris Kras ended. The screenshot below shows another play. This time the black walk ended far earlier than the white one. For a very long time white continued its criss crossing alone.

The final image is icy like a lonely violin playing its highest notes senza vibrato.
All of my friends think it's Alaska.

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tags: Y, ookoi, 1024, HTML5, Flash, violin, tritone

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* Contents (2024-2002)

* Thematic INDEX

* Workz / Werkverzeignis

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* About

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Stduio's Awesome Foursomes
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SoundBlog albums
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unPublic
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earlier entries:

1. Full coloration set sudoku solution pieces
2. The Ontological Primacy of Parasitism. An essay in Speculative Parasitology (i)
3. ‘War drift’ for violencello, and other sudoku, latin and costas grids
4. "Let me show you exactly what you are"( Sudoku 3, for double bass )
5. The _ookoide_
6. Emigré : ik besta
7. Home is my Rome
8. Splintertjes van Eeuwigheid
9. Piano, piano (1980-1983)
10. Uit de kast: I am a sudokist
11. Long live ookoi! (Leve ookoi!): a b.ookoipera / een tehoorspel
12. RONALD HEILOO (1959-2024)
13. Orlando & Artaud wed bound at La Générale Nord-Est, even
14. Awesome Foursomes (xviii - 624)
15. A Year in Rear, Stduio's 2023 [ d.ookoi writes b.ookoi (ii) ]
16. Diktat rules in Brussels
17. my future now, my promised land
18. Awesome Foursomes (xi - 178)
19. Awesome Foursomes (x - 789)
20. Awesome Foursomes (ix - 329)
21. Ethereal Reverberations. A Decade of unPublic
22. Holland[s] Spoor
23. Three days of residency at Les Ateliers Claus, Brussels
24. De Nieuwe Beschaving
25. For nothing and no one
26. Three Musketeers Musicking Maastricht & La Générale
27. Berlin: Zero Cohesion (3)
28. Berlin: Zero Cohesion (2 = ©)
29. Art History -)) Histoire de l'Art
30. Berlin: Zero Cohesion (1)
31. X-unPub
32. Awesome Foursomes (viii - 664)
33. Awesome Foursomes (vii - 138)
34. "Manifeste"
35. Awesome Foursomes (vi - 419)
36. The Art of K7, vol. 1
37. Oliebollen
38. A Berlin Reader
39. Awesome Foursomes (v - 954)
40. The Art of K7 ~ Sudokaising [ii]
41. 'Time-', for 12 upright piano's
42. Awesome Foursomes (iv - 793)
43. Awesome Foursomes (iii - 562)
44. Awesome Foursomes (ii - 284)
45. Awesome Foursomes (i - 019)
46. Die Stillgestandenen
47. d.ookoi writes b.ookoi (i)
48. Playing Apart Together: Chuncheon↯Paris
49. Ten years stuck on my iPad
50. Lento (slowly)
51. assemble/dissemble
52. 24 Lullabies for a sick world
53. "TRIO" for 3 piled baby grand piano's
54. AC__« unPublic »
55. GIALLO, by Etc
56. The Art of K7 :: Sudoku Solution 2020 [i]
57. STDUIO Arti: aLife @Hal-fIve
58. STDUIO Arti: The Last Weekend
59. Foundtapers & Foundtaping in Porto
60. Freely improvised and non-academic electroacoustic music {as}[by] urban folk[s]
61. Vive Le Placard ! Varia...
62. The variegated insameness of lawless strthings
63. ookoi 2.0: the remake of a spect[r]al b[r]and
64. CCNL :: Cassette Culture in Linz, Austria (2)
65. CCNL :: Cassette Culture in Linz, Austria (1)
66. Lustrum non publicum
67. T'obsolete or not t'obsolete [iv]
68. Cross Countries Croissant
69. Rage, rafts & refugees
70. T'obsolete or not t'obsolete [iii]
71. T'obsolete or not t'obsolete [ii]
72. Between now and then, nine years from here
73. T'obsolete or not t'obsolete [i]
74. Moving out, of, on ... [ii]
75. Moving out, of, on ... [i]
76. 1024, 2016, 2M0M1X1VII7, 2027, 2029, ...
77. Nicolas Collins - 2 April 2016, La Générale
78. unPublic #18 - 대부도 (Daebu-Do), 14 June 2015 (by Ian-John Hutchinson)
79. Emergence at/in the frontiers, fringes & trenches of contemporary music
80. In Praise of Slowness
81. Statues, Lenin, Dogs & Ruins
82. Trust Us
83. Situasonnisme: the City Sonic Festival
84. SQWWO picture book
85. SQWWO live in Brussels
86. Bridges, troubles, water
87. Luister is Pracht
88. Elastic Lecture Nr.2 (for Namhee)
89. Mal-là--colisé dans l'espace et dans le temps
90. René Gude (1957-2015)
91. The men once in green are now writing a book
92. The eerie symmetry of a perfect ping
93. String Quartet with windows, open
94. Appearance and Reality
95. Speculative Dancing
96. Lecture de Cassette
97. You are NOT Hier!
98. La physicalité du son. Tome 1
99. 12 - 11 - 9 - 10 - 3 - 6 - 7 - 1 - 2 - 8 - 4 - 5
100. Le Temps Musical
101. Cassettes, Candles & Champagne
102. De Val van Chroom / The Fall of Chrome
103. unPublic 1, 2 (sauf riverains)
104. The Art of K7 (prelude)
105. "At 19:07 the four helicopters flew over the Pont Neuf"

 

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:.not so recent, recent & upcoming EVENTS.:

1. March 26 2025 - Harold Schellinx solo & with Yi Huijun, Shih-wen Lee. OMFI - Brussels (Belgium), 20h
   
   
2. March 25 2025 - unPublic #110 - Brussels (France)
   
   
3. February 18 2025 - Going Dutch w/ Har$ at the KunschTTurm Club - Mulhouse (France), 20h
   
   
4. November 13 2024 - unPublic #109 - Paris (France)
   
   
5. November 11 2024 - unPublic #108 - Paris (France)
   
   
6. November 9 2024 - Yenting Hsu, Nori Kajio, Hsin-Yun Tsai & Har$, La Générale Nord-Est - Paris (France)
   
   
7. October 20 2024 - Har$ (solo), La Générale Nord-Est - Paris (France)
   
   
8. October 10 2024 - Miura, Volquartz, Kan & Har$, Tiasci - Paris (France)
   
   
9. October 9 2024 - unPublic #107 - Paris (France)
   
   
10. August 22 2024 - unPublic #106 - Paris (France)
    
    
11. August 4 2024 - unPublic #105 - Paris (France)
    
    
12. June 22 2024 - unPublic #104 - Paris (France)
    
    
13. June 3 2024 - unPublic #103 - Amsterdam (the Netherlands)
    
    
14. May 19 2024 - unPublic #102 - Paris (France)
    
    
15. April 25 2024 - Rébus & Har$ - Ontological Anteriority of Parasitism over the Normal and the Computable: Dissecting the politics of digital vs. analogue in contemporary music - Conference 'Politics of the Machines: Lifelikeness and beyond' (POM2024), Aachen (Germany)
    
    
16. January 9 2024 - unPublic #101 - Paris (France)
    
    
17. October 31 2023 - Diktat (with Shih-wen-Lee), Haekem Theatre, Brussels (Belgium)
    
    
18. October 18 2023 - unPublic #100 - Paris (France)
    
    
19. September 6 2023 - unPublic #99 - Rotterdam (the Netherlands)
    
    
20. September 4-11 2023 - Har$, Radio WORM residency, Rotterdam (the Netherlands)
    
    
21. September 3 2023 - Holland Spoor - Har$ & Rinus van Alebeek - Galerie HOK, Den Haag (the Netherlands)
    
    
22. September 2 2023 -Holland Spoor - Har$ & Rinus van Alebeek. Onze Ambassasde Festival - West, Den Haag (the Netherlands)
    
    
23. July 29 2023 - unPublic #98 - Paris (France)
    
    
24. July 23 2023 - unPublic #97 - Paris (France)
    
    
25. June 24 2023 - unPublic #96 - Paris (France)
    
    
26. June 14 2023 - unPublic #95 - Parc Floral, Paris (France)
    
    
27. May 11-13 2023 - Har$ & Diktat (with Shih-wen-Lee) and unPublics #93 & #94, Les Ateliers Claus (studio), Brussels (Belgium)
    
    
28. December 28 2022 - unPublic #92 - Utrecht (the Netherlands)
    
    
29. December 27 2022 - unPublic #91 - Amsterdam (the Netherlands)
    
    
30. December 3 2022 - Reading from TaUM (en/fr) - Har$ & Chen for radio Pi-Node, La Générale Nord-Est, Paris (France)
    
    
31. November 22 2022 - unPublic #90 - Paris (France)
    
    
32. November 22 2022 - van Alebeek, Wurstbrücke, Carcone & Har$ - La Générale Nord-Est, Paris (France)
    
    
33. November 19 2022 - unPublic #89 - Paris (France)
    
    
34. November 1 2022 - unPublic #88 - Paris (France)
    
    
35. August 7 2022 - unPublic #87 - Paris (France)
    
    
36. August 6 2022 - unPublic #86 - Maastricht (the Netherlands)
    
    
37. August 5 2022 - König, Rébus & Har$) - 't Keldertje LandbouwBelang, Maastricht (the Netherlands)
    
    
38. August 3 2022 - unPublic #85 - Paris (France)
    
    
39. June 26 2022 - ƸDikt (van Alebeek, Rébus & Har$) - Zero-Coherence @ Liebig12, Berlin (Germany)
    
    
40. June 25 2022 - unPublic #83 and unPublic #84 - Berlin (Germany)
    
    
41. June 24 2022 - unPublic #82 - Berlin (Germany)
    
    
42. June 22 2022 - unPublic #81 - Paris (France)
    
    
43. February 25 2022 - unPublic #80 - Paris (France)
    
    
44. January 23 2022 - unPublic #79 - Orléans (France)
    
    
45. November 11 2021 - unPublic #78 - Paris (France)
    
    
46. October 19 2021 - Etc ... Giallo!, finissage Guy Maddin expo - The Film Gallery, Paris (France)
    
    
47. August 6 2021 - unPublic #77 - Ars-en-Ré (France)
    
    
48. July 14 2021 - unPublic #76 - Amsterdam (the Netherlands)
    
    
49. June 27 2021 - unPublic #75 - Paris (France)
    
    
50. April 25 2021 - unPublic #74 - Paris (France)
    
    
51. April 18 2021 - unPublic #73 - Chuncheon (South-Korea) ↯ Paris (France)
    
    
52. March 21 2021 - unPublic #72 - Paris (France)
    
    
53. December 22 2020 - unPublic #71 - Paris (France)
    
    
54. October 18 2020 - unPublic #70 - Paris (France)
    
    
55. May 24 2020 - unPublic #69 - 4th corona con~fine cyber.uP
    
    
56. May 16 2020 - unPublic #68 - 3rd corona con~fine cyber.uP
    
    
57. April 26 2020 - unPublic #67 - 2nd corona con~fine cyber.uP
    
    
58. April 18 2020 - unPublic #66 - 1st corona con~fine cyber.uP
    
    
59. February 22 2020 - unPublic #65 - Paris (France)
    
    
60. January 10-26 2020 - ookoi presents: Stduio Arti. Arti et Amicitiae, Amsterdam (the Netherlands). Daily. Live event: January 16, 13h-18h
    
    
61. December 17 2019 - Pascal Marzan, Jean Bordé & Har$. Tiasci, Paris X (France). 20h30
    
    
62. December 1 2019 - Giallo by ETC - Carcone, Foschia, Har$. Les Nautes, Paris IV (France). 20h30
    
    
63. November 28 2019 - unPublic #64 - Paris (France)
    
    
64. November 10 2019 - Har$. Foundtaping & Found Tapes Exhibition Lecture, Porto (Portugal). 19h
    
    
65. November 6 2019 - unPublic #63 - Paris (France)
    
    
66. October 6 2019 - Yoko Miura, Kentaro Suzuki, Marco Caccialupi, Judith Kan & Har$. Tiasci, Paris X (France). 20h
    
    
67. September 29 2019 - Live K7 Sudoku, by Har$. 'Do Not Interrupt Your Activity', La Générale, Paris XI (France). 19h30
    
    
68. September 21 2019 - unPublic #62 - Paris (France)
    
    
69. August 23 2019 - Freely improvised and non-academic electroacoustic music as urban folk, Rébus & Har$. International Conference 'Re-Sound. Media-art etc' - Aalborg (Denmark)
    
    
70. July 30 2019 - unPublic #61 - Amsterdam (the Netherlands)
    
    
71. July 14 2019 - unPublic #60 - Paris (France)
    
    
72. July 7 2019 - unPublic #59 - Paris (France)
    
    
73. November 27 2018 - unPublic #58 - Paris (France)
    
    
74. November 12 2018 - unPublic #57 - Montreuil (France)
    
    
75. October 18 2018 - unPublic #56 - Bures-sur-Yvette (France)
    
    
76. October 16 2018 - unPublic #55 - Paris (France)
    
    
77. October 14 2018 - "Bizar, bizar, bizar" ~ ookoi 2.0. Ploeg + Werk Party - Paradiso, Amsterdam (the Netherlands), 21h45
    
    
78. October 14 2018 - Global Garage's Utopian Mind Station, closing event of the 20th FCDEP. Joris Guibert, Mitsuaki Matsumoto, Gisèle Papa, Hector Castells, Arno Bisselbach, Claude Parle, Rébus, Har$; directed by Marc Plas - Grand Action, Paris V (France), 21h
    
    
79. October 2 2018 - Har$, Rébus, Jean-Michel Susini, Fred Marty, Yoko Miura - Tiasci, Paris X (France), 20h30
    
    
80. July 14 2018 - unPublic #54 - Paris (France)
    
    
81. July 11 2018 - Har$, OÖ Kulturquartier. Linz (Austria), 20h
    
    
82. July 9 2018 - Har$, Found Tapes. Cassette Culture Node.Linz (Austria), 20h
    
    
83. July 8 2018 - Har$, Kunst mit Tapes machen!. Cassette Culture Node.Linz (Austria), 17h
    
    
84. June 28 2018 - Esthétique de l'effacement, Rébus & Har$, Les Grands Voisins, Paris XIV. 20h
    
    
85. June 24 2018 - An Ti Na de Dora Tal, avec Emmanuel Coutris, Raphael Raffi Derderyan & Har$, Péniche le Marcounet, Paris IV. 15h
    
    
86. June 14 2018 - unPublic #53 - Paris (France)
    
    
87. June 03 2018 - unPublic #52 - Brussels (Belgium)
    
    
88. June 02 2018 - Rébus & Har$ ; OMFI 32, Lamab - Brussels (Belgium) ; 19h30
    
    
89. April 29 2018 - unPublic #51 - Seoul (South Korea)
    
    
90. March 17 2018 - Car-tet: Dora Tal, Claude Parle, Rébus & Har$. Tiasci - Paris (France)
    
    
91. February 5 2018 - unPub.L.ic: #50 - Paris (France)
    
    
92. February 4 2018 - DIKTAT - Rinus van Alebeek, Jean Bordé Rébus & Har$ - La Générale, Paris (France), 16h & 20h30
    
    
93. February 3 2018 - unPublic #49 - Paris (France)
    
    
94. January 28 2018 - ETC - Anthony Carcone, Jacques Foschia & Har$ - La Générale, Paris (France), 20h30
    
    
95. November 10 2017 - unPublic #48 - IRCAM, Paris (France)
    
    
96. November 8 2017 - "unPublic: Theory and practice of musical, cultural and social hacking outside the manufactured normalcy field", Rébus & Har$. International Conference 'Music & Hacking', Musée Quai Branly - Paris (France)
    
    
97. November 5 2017 - unPublic #47 - Montreuil (France)
    
    
98. November 4 2017 - unPublic #46 - Paris (France)
    
    
99. July 24 2017 - unPublic #45 - Paris (France)
    
    
100. June 28 2017 - unPublic #44 - Tokyo (Japan)
     
     
101. June 26 2017 - Yoko Miura, Osamu Kuroda, Kanji Nakao, Yuka Kanekio, Sachie Tamori & Har$ - Le Violon, Tokyo (Japan)
     
     
102. May 26 2017 - unPublic #43 - Paris (France)
     
     
103. May 11 2017 - unPublic #42 - Vincennes (France)
     
     
104. May 5 2017 - Dora Tal, James Nichols, Rébus & Har$ - Babilo, Paris (France), 20h
     
     
105. April 28 2017 - unPublic #41 - Vincennes (France)
     
     
106. March 21 2017 - unPublic #40 - Paris (France)
     
     
107. February 24 2017 - "Une de mes pensées pour un parmi vous devenait invisible" - Tristan Padelle, Vincent Reduron, Emmanuel Coutris, Dora Tal & Har$ - Babilo, Paris (France), 20h
     
     
108. February 10 2017 - unPublic #39 - 聽說 (Ting Shuo hear say) Studio, Tainan City (Taiwan)
     
     
109. January 23 2017 - unPublic #38 - Kaohsiung City (Taiwan)
     
     
110. January 13 2017 - "Improvise, improvisée" - Thierry Marietan, Tristan Padelle, Vincent Reduron, Dora Tal & Har$ - Tiasci, Paris (France), 20h30
     
     
111. December 30 2016 - unPublic #37 - Brussels (Belgium)
     
     
112. December 18 2016 - unPublic #36 - Paris (France)
     
     
113. November 12 2016 - unPublic #35 - Paris (France)
     
     
114. November 1 2016 - Strange Fruit - Yoko Miura, Jean Bordé, Anthony Carcone & Har$ - La Friche, Paris XI (France), 14h
     
     
115. September 8 2016 - Rafaële Arditti, Jean Bordé, Emmanuel Courtris & Har$ play Dora Stalidou's ... dans un ensemble de crystal - Babilo, Paris XVIII (France), 20h30
     
     
116. August 25 2016 - unPublic #34 - Taipei City (Taiwan)
     
     
117. July 5 2016 - 130 Steps Up. With Blenno Wurstbrücke a.o., Paris IX
     
     
118. June 27 2016 - unPublic #33 - Berlin (Germany)
     
     
119. June 19 2016 - unPublic #32 - The Logic of Freedom, Paris (France)
     
     
120. May 19 2016 - Har$. Talkshow "1968", Paradiso, Amsterdam (the Netherlands)
     
     
121. May 11 2016 - Rébus & Har$. Micro- and macrostructural emergence in free improvisation, sound-art and composition (lecture-presentation), Colloque L'Emergence en Musique (Festival aCROSS '16), Plaisir/Versailles (France)
     
     
122. May 01 2016 - unPublic #30 - Volkmann, Volco, Kan, Wang & Har$. Vincennes (France)
     
     
123. April 26 2016 - unPublic #29 - Tarnopolsky, FlexRex, Carcone & Har$. Montreuil (France)
     
     
124. April 24 2016 - unPublic #28 - Felipe, Greuters, FlexRex, Carcone, Rébus & Har$. Montreuil/Paris (France)
     
     
125. April 09/10 2016 - Rébus & Har$. Emergency/Emergence. Placard @Résidence 87, Paris (France), 00h00
     
     
126. April 08 2016 - Naoki Kita, Michael Nick, Yaping Wang, Rébus & Har$. Chez Madeleine, Saint-Ouen (France), 20h30
     
     
127. March 06 2016 - Fouquet, Wang & Har$. La Guillotine, Montreuil (France), 17h
     
     
128. March 01 2016 - unPublic #27 - Ghent, Chi, Zhang, Wang & Har$. Paris (France)
     
     
129. Jan. 14 2016 - "Trust Us" - Opening performance, with Michael Ghent, Agnès Belkabi, Anthony Carcone, Rébus & Har$. Mains d'Oeuvres, Saint-Ouen (France)
     
     
130. Dec. 20 2015 - unPublic #26 - Parisi, Caccialupi, Kan, Wang, Rébus & Har$. Vincennes (France)
     
     
131. Nov. 29 2015 - unPublic #25 - Der Rufer, Tengger, Ivanne Barberis, Yaping Wang, Rébus & Har$. Paris XI (France)
     
     
132. Nov. 20 2015 - unPublic #24 - Yaping Wang, Yoko Miura, Jean Bordé & Har$. Vincennes (France)
     
     
133. Nov. 8 2015 - unPublic #23 - Manli Zhang, Chi Po-Hao, Toni Dimitrov, Jovan Lambseski, Rébus & Har$. La Générale, Paris XI
     
     
134. Nov. 7 2015 - "In Praise of Slowness", Креативен викенд (Kreativen Vikend) pesentation, La Générale, Paris XI
     
     
135. Oct. 28 2015 - unPublic #22, Belgrade (Serbia)
     
     
136. Oct. 26 2015 - Har$, Rébus & Bojan Sungulov - Live radio performance Kanal 103, Skopje (Republic of Macedonia)
     
     
137. Oct. 24 2015 - unPublic #21, Lazaropole (Republic of Macedonia)
     
     
138. Oct. 23-25 2015 - Креативен викенд (Kreativen Vikend), Lazaropole (Republic of Macedonia)
     
     
139. Sept. 27 2015 - Har$ & Rébus - K7 performance. City Sonic Festival, Mons (Belgium)
     
     
140. Sept. 11-27 2015 - Har$ - Found Tapes Exhibition, photo expo + audio stream. City Sonic Festival, Mons (Belgium)
     
     
141. Sept. 6 2015 - Har$, Rébus, Mobin - live K7 impro. Tapage Nocturne, France Musique - 23h
     
     
142. Sept. 3 2015 - Har$, Rébus, Mobin - live recording for Radio France
     
     
143. July 11 2015 - unPublic #20, Les Ateliers Claus, Brussels (Belgium)
     
     
144. July 10 2015 - Perf-ArtK7: Mobin, Rébus, McJJ & Har$ - Recyclart, Brussels (Belgium)
     
     
145. July 9-10 2015 - Har$'s String Quartet with windows, open (24 hours) - Recyclart, Brussels (Belgium)
     
     
146. June 27 2015 - A Bridge for Jodi - unPublic #19: Rose, König, Rébus, Har$. Paris XI (France)
     
     
147. June 14 2015 - unPublic #18: Lee, Abdelhamid, Hutchinson, Rébus. 대부도 / Daebu-do (South-Korea)
     
     
148. June 13 2015 - Etc..., Espace en Cours, Paris XX (France). 19h30
     
     
149. May 13 2015 - Bordé, Heyden, Rébus & Har$ - Tiasci, Paris X (France). 20h30 (10€ PAF)
     
     
150. May 6 2015 - Rébus & Har$. Lecture-performance: A433, ou le LA de Schrödinger - Gare Expérimentale, Paris XII
     
     
151. Apr. 12 2015 - Un-public #17: Kwon, Nick, Carcone, Har$. Galerie 43, Paris XIII.
     
     
152. Apr. 4 2015 - Last Supper - Un-public #16. La Générale, Paris XI. Invitation only.
     
     
153. Apr. 4 2015 - Har$: Elastic Lecture Nr. 2 - (L'I-m-a-g-e E-s-t U-n O-b-j-e-t E-l-a-s-t-i-q-u-e). La Générale, Paris XI. 17h
     
     
154. Apr. 3 2015 - DIKTAT - "Happy Birdday, Dinah!", Panthère Ose, Paris IX (France). 19h
     
     
155. Mar. 24 2015 - "Mal Localisé Dans Le Temps et Dans L'Espace" (L'I-m-a-g-e E-s-t U-n O-b-j-e-t E-l-a-s-t-i-q-u-e), Friches et Nous La Paix, Paris XX (France). 19h
     
     
156. Mar. 23 2015 - Secret Tape Research Lab, w/ Anton Mobin, Blenno Wurstbrücke & Har$. DIYChurch - Parsons, Paris (France). 18-20h
     
     
157. Mar. 05 2015 - Un-public #15. With Jeff Kolar, Dinah Bird, Anton Mobin, E_Rébus & Har$. Paris (France)
     
     
158. Dec. 19 2014 - Yoko Miura, Anthony Carcone, Jean Bordé, Rébus & Har$. Tiasci, Paris X (France). 20h30 (10€ PAF)
     
     
159. Dec. 12 2014 - Un-public #14. With Rain, Michael Nick, Cécile Zylberajch, Jacques Foschia, Anthony Carcone, E_Rébus & Har$. Paris (France)
     
     
160. Dec. 11 2014 - E t c ... (w./ Anthony Carcone, Jacques Foschia, Har$ & Cécile Zylberajch). Semaine du Bizarre - Théatre Municipal Berthelot, Montreuil (France). 20h30
     
     
161. Dec. 09 2014 - Un-public #13. With Abril Padilla, Anthony Carcone, E_Rébus & Har$. Paris (France)
     
     
162. Nov. 23 2014 - Un-public #12. Apassionato. With Francis Larvor, Claude Parle, Yoko Miura, Jean Bordé & Har$. Vincennes (France)
     
     
163. Nov. 2 2014 - DIKTAT at the Volkspaleis/Zuiderstrandtheater, Den Haag/Scheveningen, the Netherlands. 22h
     
     
164. Oct. 25/26 2014 - String Quartet with windows, open - 24 hour broadcast, Radio On Berlin
     
     
165. Oct. 16 2014 - Un-public // 11. Free reeds. With Ian-John Hutchinson, Yoko Miura, E_Rébus & Har$. Paris (France)
     
     
166. Sept. 21 2014 - Un-public // 10. With Pierre-Jean Vranken, Jean-Jacques Duerinckx, E_Rébus & Har$. Vincennes (France)
     
     
167. Sept. 13 2014 - Carcone, Rébus & Har$ (Etc...) Festival Le Gal Gal, Beaumont-sur-Dême (France)
     
     
168. July 27 2014 - Un-public // 9. With Kaspar Koenig, E_Rébus & Har$. Gonten (Switzerland)
     
     
169. July 24 2014 - Koenig, Rébus & Har$: In Vitrio - The First Great Gutter, Sihlhallenstrasse 4, Zürich (Switzerland).
     
     
170. July 22 2014 - Un-public // 8. Appearance and Reality. With Laura Wetherington & Har$. American Library in Paris (France)
     
     
171. May 24-26 2014 - (24 hours) String Quartet with windows, open - Har$. World premiere. Kunsttour, Maastricht (the Netherlands).
     
     
172. May 10 2014 - Daar & Hier - ookoi/stduio: performative lecture at the Locative Media and Sound Art symposium, Budascoop, Kortrijk (Belgium).
     
     
173. May 3 2014 - Rémanence Magnétique - Har$, Rébus, Wurstbrücke & Anton Mobin, Palais de Tokyo, Paris XVI (France). 17h.
     
     
174. Apr. 6 2014 - La Physicalité du son, tome 1 - Sonic Protest, La Générale, Paris XI (France). 20h.
     
     
175. Apr. 4 2014 - How To Deconstruct Young Lions - ULTRA! Dinner presentation, KuuB Ruimte voor Kunst en Cultuur. Utrecht (The Netherlands)
     
     
176. Mar. 24 2014 - Un-public // 7. Rites of Spring. With Andy Guhl, Anthony Carcone, E_Rébus & Har$. Un-derground bunker, Paris (France)
     
     
177. Feb. 18 2014 - Un-public // 6. Speaking in tongues. With Vu Nhât Tân, Nguyen Kim, Emilie Mouchous, Marina Goussina, FlexRex, Jean Bordé & Har$. La Générale, Paris XI (France)
     
     
178. Feb. 8 2014 - Un-public // 5. Wie die Zeit vergeht. With Jeff Kolar, Hanna B., Anton Mobin, E_Rébus & Har$. Vincennes (France)
     
     
179. Feb. 6 & 7 2014 - Séminaire Le Temps Musical, with Eliane Radigue, Jeff Kolar, Rébus, Har$, and others. Le Cube, Issy-les-Moulineaux (France)
     
     
180. Jan. 15 2014 - DIKTAT (with Anne-F). Centre d'Animation de la Place des Fêtes, Paris XIX (France). 20h30
     
     
181. Dec. 21 2013 - Un-public // 4. Cassette Ritual (2013=C50). With Anton Mobin, Blenno Wurstbrücke, E_Rébus & Har$. La Générale, 2ème ét., Paris XI (France)
     
     
182. Nov. 28 2013 - Un-public // 3. With Mitsuaki Matsumoto, Yoko Miura, Dominique Bertrand, E_Rébus & Har$. Paris (France)
     
     
183. Nov. 16 2013 - Un-public // 2. With Yoko Miura, Marina Goussina, Anthony Carcone, Jean Bordé, E_Rébus & Har$. Vincennes (France)
     
     
184. Nove. 10 2013 - зáумь / zaum: Marina Goussina, Harold Schellinx & E_Rébus. Espace en Cours, Paris (France)
     
     
185. Oct. 18 2013 - Un-public // 1. With Yoko Miura, Doan Tri Minh, Jean Bordé, E_Rébus & Har$. Paris (France)
     
     
186. Sept. 25, 2013 - ULTRA in 5 minutes. Ignite #30, Mediamatic Fabriek, Amsterdam (the Netherlands)
     
     
187. Aug. 30, 2013 - Hollands Spoor. 2013 = C50. Tales for Tapes #10, Berlin (Germany)
     
     
188. July 20, 2013 - Erébus & Har$ Le Placard First Floor Générale, Sèvres (France)
     
     
189. June 29 - 30, 2013 - E t c ... [Carcone, Foschia, Schellinx & Zylberajch]. Festival des Ephémères, Paris (France), 4 x 30 min.
     
     
190. June 28 - 29, 2013 = C50. Tales for Tapes #9. (Lang Leve Lou Ottens!) Kobe, Ivry-sur-Seine (France)
     
     
191. June 14, 2013 - ookoi, Wandelzand premiere, Ameland (the Netherlands)
     
     
192. May 25, 2013 - Loran, Dora, Azuda, Jean & Har$. Chez Adel, Paris X (France), 18h
     
     
193. May 18 - 20, 2013 - Re: Table (performance/installation) - Kunsttour 2013, Wiebengahal, Maastricht (the Netherlands).
     
     
194. April 19-20, 2013 - Y.Numbr. Rietveld/NASA, Amsterdam (the Netherlands).
     
     
195. April 6, 2013 - Cultuurnacht, radio show. Heerlen (the Netherlands).
     
     
196. March 17, 2013 - C50 - Lang Leve Lou Ottens! KKWNE web radio, Paris (France).
     
     
197. Feb. 1, 2013 - D(emacker), S(chellinx) & M(ertens) - GRAUZONE Festival, De Melkweg, Amsterdam (the Netherlands).
     
     
198. Oct. 2, 2012 - DIKTAT. Incubatort Arts Project, St. Mark's Church-in-the-Bowery, 2nd Floor, 131 East 10th St., New York (USA).
     
     
199. Oct. 1, 2012 - DIKTAT, Panoply Performance Laboratory, 104 Meserole St., Brooklyn, New York (USA)
     
     
200. Sep. 28, 2012 - DIKTAT @ Sonic Circuits Festival, Washington (USA).
     
     
201. Sep. 27, 2012 - DIKTAT @ Martin Art Gallery, Allentown (USA).
     
     
202. Sep. 13, 2012 - DIKTAT @ Trashvortex, Ivry sur Seine (France). 20h30
     
     
203. Aug. 30 - Sept. 2, 2012 - ULTRA - De Musical @ Mini-tour + Steve Lake + GW Sok: Maloe Melo - Amsterdam, De Vinger - The Hague, ACU - Utrecht (the Netherlands).
     
     
204. July 27-30, 2012 - Har$ @ Placard XV. Paris (France), 4x
     
     
205. July 14, 2012 - Har$ & La Vie de Bohème [Smikkelbaard 7" vinyl live pre-view]. Sub071, Leiden (the Netherlands), 21h
     
     
206. July 2-4, 2012 - Citynumberscapes: London, Amsterdam Paris. ResonanceFM, Clear Spot (8-9 pm, UK time).
     
     
207. June 30 - July 1, 2012 - Arbre Etc [Carcone, Foschia & Schellinx]. Festival des Ephémères, Paris (France), 6 x 30 min.
     
     
208. June 17, 2012 - ULTRA @ Bongo at the Bieb - Amsterdam FM. Public Library, Amsterdam (the Netherlands). 14h-15h
     
     
209. May 19, 2012 - ULTRA Presentation/Performance @ 'This is not a punk lecture', Centraal Museum, Utrecht (the Netherlands)
     
     
210. April 24, 2012 - ULTRA@Steim. Ultra-Nu, with Bertin, ookoi + Instruments, a.o., STEIM, Amsterdam (the Netherlands), 20h
     
     
211. April 20+21, 2012 - YLTRA audio workshop, Rietveld Academy/Club Karlsson, Amsterdam (the Netherlands)
     
     
212. April 20, 2012 - ULTRA @ OBA Live, Radio 5. Public Library, Amsterdam (the Netherlands), 20h
     
     
213. April 7, 2012 - ULTRA 2012 - Final: lectures, panel discussion + events + concerts, De Melkweg, Amsterdam (the Netherlands), 19h (tickets: €20,-)
     
     
214. April 7, 2012 - ULTRA, presentation + surprise concert, Concerto, Amsterdam (the Netherlands), 15h-16h
     
     
215. March 16, 2012 - ULTRA Underground Cinema. Galerie De Inkijk, metrostation Weesperplein, Amsterdam (the Netherlands), 19h30h
     
     
216. March 12-16, 2012 - ULTRA, No Future Nu & Bibikov: 2x daily book readings + performances, Galerie De Inkijk, metrostation Weesperplein, Amsterdam (the Netherlands), 8h-9h, 17h30-18h30
     
     
217. March 11, 2012 - ULTRA 2012, events + concerts, Dansmakers, Amsterdam (the Netherlands), 20h30 (tickets: €25,-)
     
     
218. March 11, 2012 - Opening ULTRA, No Future Nu & Bibikov, Galerie De Inkijk, metrostation Weesperplein, Amsterdam (the Netherlands), 16h
     
     
219. March 10, 2012 - ULTRA 2012, presentation, events + concerts, Worm, Rotterdam (the Netherlands), 20h
     
     
220. March 9, 2012 - ULTRA 2012, presentation, events + concerts, TAC, Eindhoven (the Netherlands), 20h
     
     
221. March 8, 2012 - ULTRA 2012, presentation, events + concerts, Extrapool, Nijmegen (the Netherlands), 20h
     
     
222. March 7, 2012 - ULTRA, Book Presentation + Schellinx/Duerinckx/Mobin + Minny Pops Drastic Measures, Drastic Movements suite, Ateliers Claus, Brussels (Belgium). 20h30
     
     
223. March 2, 2012 - ULTRA + No Future Nu. Aan tafel bij VPRO's De Avonden tijdens opening God Save The Queen tentoonstelling. Centraal Museum, Utrecht (the Netherlands) (Opening expo invitation only)
     
     
224. March 1, 2012 - ULTRA, Book Presentation, W139, Amsterdam (the Netherlands), 19h (invitation only)
     
     
225. Feb. 29, 2012 - Red Light ULTRA Schrikkelshow, Red Light Radio, Amsterdam (the Netherlands). 17-18h
     
     
226. Jan. 27, 2012 - Paris Rape Run 2 Presentation, Instants Chavirés, Montreuil (France) 20h30
     
     
227. Jan. 22, 2012 - Schellinx & van Alebeek: Hollands Spoor. Le Bouillon Belge, Paris (France) 21h
     
     
228. Jan. 17, 2012 - Diktat & guests - Magnetic Remancence. La Générale Nord-Est, Paris (France) 19h30
     
     
229. Jan. 16, 2012 - Diktat - Magnetic Remancence. Songs of Praise, Radio Aligre FM - Paris (France) 19h30 -21h
     
     
230. Jan. 14, 2012 - ULTRA, Opkomst & Ondergang. Muzikale lezing. Noorderslag, Oosterpoort, Groningen (the Netherlands). 12h30
     
     
231. Dec. 31, 2011 - Seventy Seconds in the toilets @ Hard Hoofd New Year ' Party , Kriterion, Amsterdam (the Netherlands).
     
     
232. Dec. 16, 2011 - Seventy Seconds @ Hard Hoofd/Entrée Late Night Café, Concertgebouw, Amsterdam (the Netherlands). 22h30
     
     
233. Dec. 10, 2011 - Geluid als taal en teken. Muziek als paal en perk. Presentation/lecture, (h)ear Festival, Heerlen (the Netherlands).
     
     
234. Dec. 15+20, 2011 - Found Tapes @ K7eurs. Tape's Not Dead. ARTE TV, Tracks.
     
     
235. Dec. 13-30, 2011 - Found Tapes @ Neue Positionen. Der Fortschritt. Intro In situ, Maastricht (the Netherlands).
     
     
236. Dec. 8, 2011 - Raudio ULTRA, met Wiel Seuskens &. Peter Mertens, Red Light Radio, Amsterdam (the Netherlands). 20h
     
     
237. Nov. 17-26, 2011 - Seventy Seconds @ Hard Hoofd Tentoonstelling, Artpocalypse, Amsterdam (the Netherlands).
     
     
238. Sept. 24-25, 2011 - Found Tapes @ Neue Positionen (Art Focus Euregio), Atelierhaus, Aachen (Germany).
     
     
239. Sept. 11-12, 2011 - Resonance Network meeting, Berlin (Germany) - @resonancenet
     
     
240. Sept. 9-11, 2011 - Found Tapes @ Neue Positionen (Art Focus Euregio), Hasselt (Belgium)
     
     

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