Les Favoris Favorites, Comelade ... and Faust
Schizophonic Cabarets @ Les Voûtes, Paris [ii]

august 14, 2009.

OK, let's get back to the Voûtes and the Schizophonic Cabaret that was organized there by Vert Pituite some six weeks ago, under the patronage of and as a tribute to Pascal Comelade.

The one-day festival came about in the wake of the making and release of Assemblage de pièces Comeladiennes du plus bel effet (henceforth we will call it AdpCdpbe), a CD/magazine in the Les Zut-O-Pistes series edited by Dominique Grimaud. The tracks on the album/magazine were contributed by a large and divers range of musicians. Some of these in the course of Comelade's 40 year career worked or (as the MySpace page dedicated to the album nicely puts it) "crossed swords" with this "catalan maestro". Others belong to next and younger generations of originals. As Comelade, they can be thought of as explorers and nurturers of a wide range of art-o-musical idiosyncrasies, that transcend too narrowly delimited genres while in general remaining on the in-side, or stay right on the verge, of pop (-art, -music ... in the broadest sense of the term). It is an 'unclassifiable' music that roughly finds its roots in the free art/jazz/pop of the 1960s, then bloomed and spread out, on into the present days, most notably (arguably) via the 'post-punk experimental pop' period of the late 1970s-early 1980s. It comes with an attitude, that of independence and DIY, which continues to inspire new generations of ... indeed: originals, who - apart from making great music / art - enjoy nagging the wobbly foundations of more institutionalized western cultural enterprise, based as it is on a schizoid alliance of commerce and academics.

On the AdpCdpbe-CD you'll find a veritable army of - mostly french - musicians. Young ones, still in their twenties. Older ones, already in their sixties. And the others somewhere in between. What links all of them is that 'attitude'. And the appreciation of Comelade and his work; as an inspiration, as a contemporary, or as both. Both the album and the festival aux Voûtes emanate a sense of history, without getting retro or playing on (to some extent unavoidable) feelings of nostalgia. Not backward-gazing, but forward-looking, and actually leaving one in the end with a healthy curiosity about what will come next.

Something of an 'experi/minimal/bruitist burn-out' was among the reasons of La Belle Vert Pituite's relatively long period of silence, during which Olivier Brisson concentrated much of his musical energy in the beating up of a pretty much standard drum kit, thus re-tasting the half forgotten pleasure of playing 'just rock'n'roll'. It was therefore that together with Quentin Dubost, Benjamin Commault (both on mighty fine looking electric guitars) and Christophe Marais (electric bass) he gave birth to My Favorite Sideburns Orchestra. (Click the pictures to see bigger ones.)

Though they'd liven up your party as the best of them, you will have guessed already that the Favorite Sideburns are not your run-of-the-mill rock combo. And indeed they are not. My Favorite Sideburns Orchestra is the world's first and only electric guitar band exclusively performing Comelade Rock: every piece on the band's repertoire issues from Pascal Comelade's long and diverse discography. Loud, energetic, catchy and devious, the Sideburns string a 'fast and bulbous' chain of their Comelade favorites. As they put it themselves on their MySpace: "Remaniée, saccagée, interprétée, transformée... mais d'une certaine manière, toujours fidèle..."

While at their premiere, late november 2007, also Aux Voûtes, they were still a bit shaky and weak in the joints, at the Schizophonic Cabaret the Favorite Sideburns were one of the highlights. Could a musician à la Comelade wish for a finer tribute than the tight, explosive, and very much alive set of original interpretations of his work by these four young 'rockers'?

A great many of the contributors to AdpCdpbe came and performed at the Schizophonic Cabaret that saturday at the Voûtes. Just to name another handful: there was MonsterK7's Kawaii; there were the Chapi Chapo; Général Alcazar sang and strummed a right-angled red guitar; and while the already smallish Voûtes got smaller and smaller as evermore people pushed in trying to catch the music and some glimpses of the musicians, David Fenech took to the stage with Ghédalia Tazartès and Jac Berrocal.

And then there was Faust, who are also on AdpCdpbe, and are among the best examples of the attitude this Schizophonic Cabaret was about, as well as a fine species of the proverbial lice in the fur of an industry always trying to make big bucks out of young musicians doing and looking pop. Sort of a pop/rock-Frankenstein even, as Faust was put on track with big bucks in 1970, when they pocketed a royal monetary advance of Deutsche Grammophone and/or Polydor, who were hoping to hit upon a 'new German sound in rock', able to compete with the then prevailing anglo-american standards. Faust got a studio equipped in an old schoolhouse in Wümme, somewhere between Bremen and Hamburg. With Uwe Nettelbeck as their mentor/producer, and Klaus Graupner as a full-time sound engineer, the Faust-boys sure did come up with great new sounds there. But not with the commercially exploitable formats that record pushers were looking for. The band's first two albums were groundbreaking both in content and design, but sold relatively little. They made of Faust the epitome of krautrock though, especially in the UK, where they gained grand cult following.

It was thus that Faust were taken on by Richard Branson's Virgin Records, maidenly and frail, which during a short period of time issued some of the most desirable records on earth. As part of the deal Uwe Nettelbeck gave Virgin a complete Faust album spliced together from Wümme recording sessions, which Branson, as a marketing gimmick, decided to bring upon the world for near to nothing. When the album first came out, in 1973, my local Maastricht record store offered copies of The Faust Tapes for 1 guilder (that's 50 euro cents), but for that one had to buy it together with another Virgin album. There was not a lot of choice back then: I got my copy of The Faust Tapes thrown in with Virgin's very first release, Mike Oldfield's Tubular Bells.

The Faust Tapes is by far the cheapest album that I ever bought in a record store. It is also beyond doubt one of the best rock/pop albums that I ever bought, and one of the few that to this very day, that is 36 years later, sounds as if it might have been released only yesterday.

But Branson and his Virgin saw things differently. They had other ideas, other plans, and eventually dumped the band (together with several of the other 'lice') after one more regular album (Faust IV). And, as of about 1975, Faust ... disappeared. For as long as fifteen years. The group's myth was kept alive by Chris Cutler and his Recommended Records.

One of the things typical of the 1970s Faust is that the band came across not as a group of individuals, but as one thing, one unit. Until this Schizophonic Cabaret last month I would not have been able to name the individual musicians playing in Faust. I might have remembered Uwe Nettelbeck by name, but then well, he was something like the producer/manager, not one of the musicians ...

But now I can.

In the large and sunny Voûtes courtyard, in between the afternoon and the evening part of the festival's program, I shook hands with Zappi Diermaier and Jean-Hervé Péron, who were sitting at one of the garden tables going through a couple of chord progressions with Rie Miyazaki, the smiling (of course) and charming Japanese bass player that was to join them in that evening's performance.

And while Zappi continued with Rie, I sat down with Jean-Hervé. And we talked. About Faust. About time. About music. And about how they became part of the Schizophonic Cabaret.

"It is not that we know Pascal extremely well," Jean-Hervé told me. "I think we met maybe three times before. But of course there is a definite ... intellectual complicity ... between him and us. And then I found a lot of authenticity, simplicity and love for the music in the emails I got from Olivier. So it is absolutely out of sympathy for Pascal and the organizers that we are here today."

"After many years of nothing we did a re-start with Faust. That was about 1994, and we have been playing again ever since. There actually are two Fausts now. Because of too different interests, at some point we split. There is the Faust of Joachim Irmler. I will not tell you about that Faust, of course. And then there is the Faust which has Zappi and me as original members. We talk about that one. Currently our line-up includes James Johnston on electric guitar, Geraldine Swayne, who is doing action painting and plays the guitar and the accordion, and James Hodson, who is doing electronic manipulation. Because of the limited budget, tonight though we play as a trio, with Rie Miyazaki on bass."

Jean-Hervé Péron was born in Casablanca, and grew up in Normandy. I thus came to realize that one of my favorite krautrockers is not german, but french. It also explains the many french words that one encounters on Faust's records and tracks. "I came of age in Hamburg, though," he says. "That's my ville d'attache. It is where I discovered life and music when I was in my early twenties. And it is where I started to do music professionally, with Faust."

- "How did it feel after all those years of 'retreat' to take to the stage again with Faust?" -

"Being with Faust never before in my life felt so right and so good as it does right now. Faust was a difficult group to be in, with many very different personalities. Which of course was why we were able to come up with such a 'virulent' sort of music. But much of that had to come about in the midst of a lot of pretty heavy conflict. Les conflits sont générateur, mais c'est chiant quand-même, les conflits. Nowadays, with the new Faust, all passes in a very harmonious way. We left the days of conflict behind us."

"I used to be afraid of audiences, because I knew they had certain expectations when they came to see us. With Faust we were always moving on, and when people came to concerts expecting to hear and see the stuff they knew, we ourselves already were at a completely different stage. So there was always this sentiment, this fear, of disappointing the people that came to see our concerts. But all that we have left behind now ... I do not feel any longer that there is something that we have to prove, and I just ask people coming to see us not to expect anything at all ..."
Jean-Hervé laughs. "So I hope also you won't expect too much ..."

"In preparation for today's concert, Rie and Zappi came to my place in Schiphorst, where we rehearsed for two days. We put together a program, picking certain themes and elements that we would work with, and developed, say, a 'concept' for the evening, or better: a dynamics."

"After 40 years, each of us of course also has things to say and express that would not easily fit within Faust. That is why Zappi and myself have our different solo-projects. Zappi has 'Der Schlaeger', in which he takes on German Schlagermusik in a personal and avantgarde context. I myself have always had a special interest in 'industrial music', and am currently finishing a piece for bétonnière (concrete mixer) and orchestra. A French composer is helping me with the writing of the score, and we are going to take this piece on a world tour, which I'm looking forward to a lot, as you may imagine. This is something I have been wanting to do for such very long time already ... I often used a concrete mixer within Faust, but never as a solo-instrument. It will be a concerto in four movements, lasting about 45 minutes."

- "You will play the concrete mixer, Jean-Hervé, I presume?" -

"Oh, of course! J'y tiens! ... At least the first year, say, until the work has become an 'established piece'."

Jean-Hervé seems utterly confident and optimistic about the possibilities to all over the world - even with a minimal budget - find musicians and orchestras willing to play his piece. "There are theaters and cultural centers everywhere that have their orchestras, and they are looking all the time for new things to perform," he told me. "Apart from the bétonnière the concerto will include a part for Ondes Martenot, played by Nathalie Forget, and one for electric guitar, which will be played by James Johnston."

- "And a french composer is going to write the score?" -

"Yes. Because I have the ideas, but I am not very good in writing down notes on paper. So that is what Ivan will do, Ivan Bellocq. I met him by chance, when one day I heard someone talking about music in french, in a small village in Germany. So I said hello, and we started talking about music. About what he did and what I did, and then Ivan appeared to be fascinated by the concrete mixer concerto idea. And as I needed someone that could write up the things I have in my head ... we will be sort of co-authoring the piece."

"We will do a world premiere - the Urausführing - in a couple of weeks (july 18th). In a somewhat reduced form, as the orchestra will have only 5 musicians. Also, these will be musicians rather with a free music background, so it'll be more of an improvisation that first time. Just to put the machine into motion. It's important that things do not remain abstract and mere talking. They need to become concrete, they need to be created."

Concrete and highly physical, indeed. Faust's performance aux Voûtes fitted the adjective that Jean-Hervé had used earlier: it was virulent. Rie Miyazaki ceaselessly pumped the bass, never once letting go of her broad Nippon smile; Zappi hit and hit and hit his small kit, while Jean-Hervé strummed guitars and other strings, cutting his hand in the process; then blew his lungs out into an old dinted trumpet, fumbled with electronics, and messed up the stage with all sorts of wires and papers with (mostly french) lyrics that he whispered, sung, or just screamed into the microphone. Most of it was new, almost all of the rest was recent. But Faust also did the Shadows, and an occasional classic of their own making. All of it was bloody serious and all of it was lots of fun, which is the paradoxical layering of senses that this 'schizophonic' trio mastered as much as the old Faust did. We all hopped along with Rie and Zappi and Jean-Hervé, playing as if this would be their last time, with a determination and an energy that rang on long after the music stopped.

Towards the end I let my digicam fill up the few remaining couple of minutes of its memory. The image and sound are crappy, but the short uTube montage will give you an idea, with the trio performing 'The Sad Skinhead' (from the album Faust IV), backed by Pascal Comelade on toy-piano.

Postscript: The Avantgarde Festival

Jean-Hervé Péron is living on a farm in Schiphorst, a village in the north of Germany, halfway Hamburg and Lübeck. It is in and around his farm that for a number of summers together with his partner Carina Varain he runs the avantgarde-festival. What started as an informal gathering for friends, family and neighbors, developed into a yearly recurring festival for experimental music. For music with an attitude. And all of it still happening in the barns and on the land of the Péron/Varain farm.

This year's edition is taking place over the last weekend of august, from the 28th till the 30th. You can take your horse or donkey. You may drop in parachuting. You are welcome to bring your tent. There's free camping on the festival site and on a meadow nearby.

tags: Krautrock, Faust, Paris

# .327.

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29. Art History -)) Histoire de l'Art
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31. X-unPub
32. Awesome Foursomes (viii - 664)
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34. "Manifeste"
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41. 'Time-', for 12 upright piano's
42. Awesome Foursomes (iv - 793)
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46. Die Stillgestandenen
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48. Playing Apart Together: Chuncheon↯Paris
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50. Lento (slowly)
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52. 24 Lullabies for a sick world
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54. AC__« unPublic »
55. GIALLO, by Etc
56. The Art of K7 :: Sudoku Solution 2020 [i]
57. STDUIO Arti: aLife @Hal-fIve
58. STDUIO Arti: The Last Weekend
59. Foundtapers & Foundtaping in Porto
60. Freely improvised and non-academic electroacoustic music {as}[by] urban folk[s]
61. Vive Le Placard ! Varia...
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71. T'obsolete or not t'obsolete [ii]
72. Between now and then, nine years from here
73. T'obsolete or not t'obsolete [i]
74. Moving out, of, on ... [ii]
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76. 1024, 2016, 2M0M1X1VII7, 2027, 2029, ...
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78. unPublic #18 - 대부도 (Daebu-Do), 14 June 2015 (by Ian-John Hutchinson)
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90. René Gude (1957-2015)
91. The men once in green are now writing a book
92. The eerie symmetry of a perfect ping
93. String Quartet with windows, open
94. Appearance and Reality
95. Speculative Dancing
96. Lecture de Cassette
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98. La physicalité du son. Tome 1
99. 12 - 11 - 9 - 10 - 3 - 6 - 7 - 1 - 2 - 8 - 4 - 5
100. Le Temps Musical
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102. De Val van Chroom / The Fall of Chrome
103. unPublic 1, 2 (sauf riverains)
104. The Art of K7 (prelude)
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16. January 9 2024 - unPublic #101 - Paris (France)
    
    
17. October 31 2023 - Diktat (with Shih-wen-Lee), Haekem Theatre, Brussels (Belgium)
    
    
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50. April 25 2021 - unPublic #74 - Paris (France)
    
    
51. April 18 2021 - unPublic #73 - Chuncheon (South-Korea) ↯ Paris (France)
    
    
52. March 21 2021 - unPublic #72 - Paris (France)
    
    
53. December 22 2020 - unPublic #71 - Paris (France)
    
    
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56. May 16 2020 - unPublic #68 - 3rd corona con~fine cyber.uP
    
    
57. April 26 2020 - unPublic #67 - 2nd corona con~fine cyber.uP
    
    
58. April 18 2020 - unPublic #66 - 1st corona con~fine cyber.uP
    
    
59. February 22 2020 - unPublic #65 - Paris (France)
    
    
60. January 10-26 2020 - ookoi presents: Stduio Arti. Arti et Amicitiae, Amsterdam (the Netherlands). Daily. Live event: January 16, 13h-18h
    
    
61. December 17 2019 - Pascal Marzan, Jean Bordé & Har$. Tiasci, Paris X (France). 20h30
    
    
62. December 1 2019 - Giallo by ETC - Carcone, Foschia, Har$. Les Nautes, Paris IV (France). 20h30
    
    
63. November 28 2019 - unPublic #64 - Paris (France)
    
    
64. November 10 2019 - Har$. Foundtaping & Found Tapes Exhibition Lecture, Porto (Portugal). 19h
    
    
65. November 6 2019 - unPublic #63 - Paris (France)
    
    
66. October 6 2019 - Yoko Miura, Kentaro Suzuki, Marco Caccialupi, Judith Kan & Har$. Tiasci, Paris X (France). 20h
    
    
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68. September 21 2019 - unPublic #62 - Paris (France)
    
    
69. August 23 2019 - Freely improvised and non-academic electroacoustic music as urban folk, Rébus & Har$. International Conference 'Re-Sound. Media-art etc' - Aalborg (Denmark)
    
    
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75. October 18 2018 - unPublic #56 - Bures-sur-Yvette (France)
    
    
76. October 16 2018 - unPublic #55 - Paris (France)
    
    
77. October 14 2018 - "Bizar, bizar, bizar" ~ ookoi 2.0. Ploeg + Werk Party - Paradiso, Amsterdam (the Netherlands), 21h45
    
    
78. October 14 2018 - Global Garage's Utopian Mind Station, closing event of the 20th FCDEP. Joris Guibert, Mitsuaki Matsumoto, Gisèle Papa, Hector Castells, Arno Bisselbach, Claude Parle, Rébus, Har$; directed by Marc Plas - Grand Action, Paris V (France), 21h
    
    
79. October 2 2018 - Har$, Rébus, Jean-Michel Susini, Fred Marty, Yoko Miura - Tiasci, Paris X (France), 20h30
    
    
80. July 14 2018 - unPublic #54 - Paris (France)
    
    
81. July 11 2018 - Har$, OÖ Kulturquartier. Linz (Austria), 20h
    
    
82. July 9 2018 - Har$, Found Tapes. Cassette Culture Node.Linz (Austria), 20h
    
    
83. July 8 2018 - Har$, Kunst mit Tapes machen!. Cassette Culture Node.Linz (Austria), 17h
    
    
84. June 28 2018 - Esthétique de l'effacement, Rébus & Har$, Les Grands Voisins, Paris XIV. 20h
    
    
85. June 24 2018 - An Ti Na de Dora Tal, avec Emmanuel Coutris, Raphael Raffi Derderyan & Har$, Péniche le Marcounet, Paris IV. 15h
    
    
86. June 14 2018 - unPublic #53 - Paris (France)
    
    
87. June 03 2018 - unPublic #52 - Brussels (Belgium)
    
    
88. June 02 2018 - Rébus & Har$ ; OMFI 32, Lamab - Brussels (Belgium) ; 19h30
    
    
89. April 29 2018 - unPublic #51 - Seoul (South Korea)
    
    
90. March 17 2018 - Car-tet: Dora Tal, Claude Parle, Rébus & Har$. Tiasci - Paris (France)
    
    
91. February 5 2018 - unPub.L.ic: #50 - Paris (France)
    
    
92. February 4 2018 - DIKTAT - Rinus van Alebeek, Jean Bordé Rébus & Har$ - La Générale, Paris (France), 16h & 20h30
    
    
93. February 3 2018 - unPublic #49 - Paris (France)
    
    
94. January 28 2018 - ETC - Anthony Carcone, Jacques Foschia & Har$ - La Générale, Paris (France), 20h30
    
    
95. November 10 2017 - unPublic #48 - IRCAM, Paris (France)
    
    
96. November 8 2017 - "unPublic: Theory and practice of musical, cultural and social hacking outside the manufactured normalcy field", Rébus & Har$. International Conference 'Music & Hacking', Musée Quai Branly - Paris (France)
    
    
97. November 5 2017 - unPublic #47 - Montreuil (France)
    
    
98. November 4 2017 - unPublic #46 - Paris (France)
    
    
99. July 24 2017 - unPublic #45 - Paris (France)
    
    
100. June 28 2017 - unPublic #44 - Tokyo (Japan)
     
     
101. June 26 2017 - Yoko Miura, Osamu Kuroda, Kanji Nakao, Yuka Kanekio, Sachie Tamori & Har$ - Le Violon, Tokyo (Japan)
     
     
102. May 26 2017 - unPublic #43 - Paris (France)
     
     
103. May 11 2017 - unPublic #42 - Vincennes (France)
     
     
104. May 5 2017 - Dora Tal, James Nichols, Rébus & Har$ - Babilo, Paris (France), 20h
     
     
105. April 28 2017 - unPublic #41 - Vincennes (France)
     
     
106. March 21 2017 - unPublic #40 - Paris (France)
     
     
107. February 24 2017 - "Une de mes pensées pour un parmi vous devenait invisible" - Tristan Padelle, Vincent Reduron, Emmanuel Coutris, Dora Tal & Har$ - Babilo, Paris (France), 20h
     
     
108. February 10 2017 - unPublic #39 - 聽說 (Ting Shuo hear say) Studio, Tainan City (Taiwan)
     
     
109. January 23 2017 - unPublic #38 - Kaohsiung City (Taiwan)
     
     
110. January 13 2017 - "Improvise, improvisée" - Thierry Marietan, Tristan Padelle, Vincent Reduron, Dora Tal & Har$ - Tiasci, Paris (France), 20h30
     
     
111. December 30 2016 - unPublic #37 - Brussels (Belgium)
     
     
112. December 18 2016 - unPublic #36 - Paris (France)
     
     
113. November 12 2016 - unPublic #35 - Paris (France)
     
     
114. November 1 2016 - Strange Fruit - Yoko Miura, Jean Bordé, Anthony Carcone & Har$ - La Friche, Paris XI (France), 14h
     
     
115. September 8 2016 - Rafaële Arditti, Jean Bordé, Emmanuel Courtris & Har$ play Dora Stalidou's ... dans un ensemble de crystal - Babilo, Paris XVIII (France), 20h30
     
     
116. August 25 2016 - unPublic #34 - Taipei City (Taiwan)
     
     
117. July 5 2016 - 130 Steps Up. With Blenno Wurstbrücke a.o., Paris IX
     
     
118. June 27 2016 - unPublic #33 - Berlin (Germany)
     
     
119. June 19 2016 - unPublic #32 - The Logic of Freedom, Paris (France)
     
     
120. May 19 2016 - Har$. Talkshow "1968", Paradiso, Amsterdam (the Netherlands)
     
     
121. May 11 2016 - Rébus & Har$. Micro- and macrostructural emergence in free improvisation, sound-art and composition (lecture-presentation), Colloque L'Emergence en Musique (Festival aCROSS '16), Plaisir/Versailles (France)
     
     
122. May 01 2016 - unPublic #30 - Volkmann, Volco, Kan, Wang & Har$. Vincennes (France)
     
     
123. April 26 2016 - unPublic #29 - Tarnopolsky, FlexRex, Carcone & Har$. Montreuil (France)
     
     
124. April 24 2016 - unPublic #28 - Felipe, Greuters, FlexRex, Carcone, Rébus & Har$. Montreuil/Paris (France)
     
     
125. April 09/10 2016 - Rébus & Har$. Emergency/Emergence. Placard @Résidence 87, Paris (France), 00h00
     
     
126. April 08 2016 - Naoki Kita, Michael Nick, Yaping Wang, Rébus & Har$. Chez Madeleine, Saint-Ouen (France), 20h30
     
     
127. March 06 2016 - Fouquet, Wang & Har$. La Guillotine, Montreuil (France), 17h
     
     
128. March 01 2016 - unPublic #27 - Ghent, Chi, Zhang, Wang & Har$. Paris (France)
     
     
129. Jan. 14 2016 - "Trust Us" - Opening performance, with Michael Ghent, Agnès Belkabi, Anthony Carcone, Rébus & Har$. Mains d'Oeuvres, Saint-Ouen (France)
     
     
130. Dec. 20 2015 - unPublic #26 - Parisi, Caccialupi, Kan, Wang, Rébus & Har$. Vincennes (France)
     
     
131. Nov. 29 2015 - unPublic #25 - Der Rufer, Tengger, Ivanne Barberis, Yaping Wang, Rébus & Har$. Paris XI (France)
     
     
132. Nov. 20 2015 - unPublic #24 - Yaping Wang, Yoko Miura, Jean Bordé & Har$. Vincennes (France)
     
     
133. Nov. 8 2015 - unPublic #23 - Manli Zhang, Chi Po-Hao, Toni Dimitrov, Jovan Lambseski, Rébus & Har$. La Générale, Paris XI
     
     
134. Nov. 7 2015 - "In Praise of Slowness", Креативен викенд (Kreativen Vikend) pesentation, La Générale, Paris XI
     
     
135. Oct. 28 2015 - unPublic #22, Belgrade (Serbia)
     
     
136. Oct. 26 2015 - Har$, Rébus & Bojan Sungulov - Live radio performance Kanal 103, Skopje (Republic of Macedonia)
     
     
137. Oct. 24 2015 - unPublic #21, Lazaropole (Republic of Macedonia)
     
     
138. Oct. 23-25 2015 - Креативен викенд (Kreativen Vikend), Lazaropole (Republic of Macedonia)
     
     
139. Sept. 27 2015 - Har$ & Rébus - K7 performance. City Sonic Festival, Mons (Belgium)
     
     
140. Sept. 11-27 2015 - Har$ - Found Tapes Exhibition, photo expo + audio stream. City Sonic Festival, Mons (Belgium)
     
     
141. Sept. 6 2015 - Har$, Rébus, Mobin - live K7 impro. Tapage Nocturne, France Musique - 23h
     
     
142. Sept. 3 2015 - Har$, Rébus, Mobin - live recording for Radio France
     
     
143. July 11 2015 - unPublic #20, Les Ateliers Claus, Brussels (Belgium)
     
     
144. July 10 2015 - Perf-ArtK7: Mobin, Rébus, McJJ & Har$ - Recyclart, Brussels (Belgium)
     
     
145. July 9-10 2015 - Har$'s String Quartet with windows, open (24 hours) - Recyclart, Brussels (Belgium)
     
     
146. June 27 2015 - A Bridge for Jodi - unPublic #19: Rose, König, Rébus, Har$. Paris XI (France)
     
     
147. June 14 2015 - unPublic #18: Lee, Abdelhamid, Hutchinson, Rébus. 대부도 / Daebu-do (South-Korea)
     
     
148. June 13 2015 - Etc..., Espace en Cours, Paris XX (France). 19h30
     
     
149. May 13 2015 - Bordé, Heyden, Rébus & Har$ - Tiasci, Paris X (France). 20h30 (10€ PAF)
     
     
150. May 6 2015 - Rébus & Har$. Lecture-performance: A433, ou le LA de Schrödinger - Gare Expérimentale, Paris XII
     
     
151. Apr. 12 2015 - Un-public #17: Kwon, Nick, Carcone, Har$. Galerie 43, Paris XIII.
     
     
152. Apr. 4 2015 - Last Supper - Un-public #16. La Générale, Paris XI. Invitation only.
     
     
153. Apr. 4 2015 - Har$: Elastic Lecture Nr. 2 - (L'I-m-a-g-e E-s-t U-n O-b-j-e-t E-l-a-s-t-i-q-u-e). La Générale, Paris XI. 17h
     
     
154. Apr. 3 2015 - DIKTAT - "Happy Birdday, Dinah!", Panthère Ose, Paris IX (France). 19h
     
     
155. Mar. 24 2015 - "Mal Localisé Dans Le Temps et Dans L'Espace" (L'I-m-a-g-e E-s-t U-n O-b-j-e-t E-l-a-s-t-i-q-u-e), Friches et Nous La Paix, Paris XX (France). 19h
     
     
156. Mar. 23 2015 - Secret Tape Research Lab, w/ Anton Mobin, Blenno Wurstbrücke & Har$. DIYChurch - Parsons, Paris (France). 18-20h
     
     
157. Mar. 05 2015 - Un-public #15. With Jeff Kolar, Dinah Bird, Anton Mobin, E_Rébus & Har$. Paris (France)
     
     
158. Dec. 19 2014 - Yoko Miura, Anthony Carcone, Jean Bordé, Rébus & Har$. Tiasci, Paris X (France). 20h30 (10€ PAF)
     
     
159. Dec. 12 2014 - Un-public #14. With Rain, Michael Nick, Cécile Zylberajch, Jacques Foschia, Anthony Carcone, E_Rébus & Har$. Paris (France)
     
     
160. Dec. 11 2014 - E t c ... (w./ Anthony Carcone, Jacques Foschia, Har$ & Cécile Zylberajch). Semaine du Bizarre - Théatre Municipal Berthelot, Montreuil (France). 20h30
     
     
161. Dec. 09 2014 - Un-public #13. With Abril Padilla, Anthony Carcone, E_Rébus & Har$. Paris (France)
     
     
162. Nov. 23 2014 - Un-public #12. Apassionato. With Francis Larvor, Claude Parle, Yoko Miura, Jean Bordé & Har$. Vincennes (France)
     
     
163. Nov. 2 2014 - DIKTAT at the Volkspaleis/Zuiderstrandtheater, Den Haag/Scheveningen, the Netherlands. 22h
     
     
164. Oct. 25/26 2014 - String Quartet with windows, open - 24 hour broadcast, Radio On Berlin
     
     
165. Oct. 16 2014 - Un-public // 11. Free reeds. With Ian-John Hutchinson, Yoko Miura, E_Rébus & Har$. Paris (France)
     
     
166. Sept. 21 2014 - Un-public // 10. With Pierre-Jean Vranken, Jean-Jacques Duerinckx, E_Rébus & Har$. Vincennes (France)
     
     
167. Sept. 13 2014 - Carcone, Rébus & Har$ (Etc...) Festival Le Gal Gal, Beaumont-sur-Dême (France)
     
     
168. July 27 2014 - Un-public // 9. With Kaspar Koenig, E_Rébus & Har$. Gonten (Switzerland)
     
     
169. July 24 2014 - Koenig, Rébus & Har$: In Vitrio - The First Great Gutter, Sihlhallenstrasse 4, Zürich (Switzerland).
     
     
170. July 22 2014 - Un-public // 8. Appearance and Reality. With Laura Wetherington & Har$. American Library in Paris (France)
     
     
171. May 24-26 2014 - (24 hours) String Quartet with windows, open - Har$. World premiere. Kunsttour, Maastricht (the Netherlands).
     
     
172. May 10 2014 - Daar & Hier - ookoi/stduio: performative lecture at the Locative Media and Sound Art symposium, Budascoop, Kortrijk (Belgium).
     
     
173. May 3 2014 - Rémanence Magnétique - Har$, Rébus, Wurstbrücke & Anton Mobin, Palais de Tokyo, Paris XVI (France). 17h.
     
     
174. Apr. 6 2014 - La Physicalité du son, tome 1 - Sonic Protest, La Générale, Paris XI (France). 20h.
     
     
175. Apr. 4 2014 - How To Deconstruct Young Lions - ULTRA! Dinner presentation, KuuB Ruimte voor Kunst en Cultuur. Utrecht (The Netherlands)
     
     
176. Mar. 24 2014 - Un-public // 7. Rites of Spring. With Andy Guhl, Anthony Carcone, E_Rébus & Har$. Un-derground bunker, Paris (France)
     
     
177. Feb. 18 2014 - Un-public // 6. Speaking in tongues. With Vu Nhât Tân, Nguyen Kim, Emilie Mouchous, Marina Goussina, FlexRex, Jean Bordé & Har$. La Générale, Paris XI (France)
     
     
178. Feb. 8 2014 - Un-public // 5. Wie die Zeit vergeht. With Jeff Kolar, Hanna B., Anton Mobin, E_Rébus & Har$. Vincennes (France)
     
     
179. Feb. 6 & 7 2014 - Séminaire Le Temps Musical, with Eliane Radigue, Jeff Kolar, Rébus, Har$, and others. Le Cube, Issy-les-Moulineaux (France)
     
     
180. Jan. 15 2014 - DIKTAT (with Anne-F). Centre d'Animation de la Place des Fêtes, Paris XIX (France). 20h30
     
     
181. Dec. 21 2013 - Un-public // 4. Cassette Ritual (2013=C50). With Anton Mobin, Blenno Wurstbrücke, E_Rébus & Har$. La Générale, 2ème ét., Paris XI (France)
     
     
182. Nov. 28 2013 - Un-public // 3. With Mitsuaki Matsumoto, Yoko Miura, Dominique Bertrand, E_Rébus & Har$. Paris (France)
     
     
183. Nov. 16 2013 - Un-public // 2. With Yoko Miura, Marina Goussina, Anthony Carcone, Jean Bordé, E_Rébus & Har$. Vincennes (France)
     
     
184. Nove. 10 2013 - зáумь / zaum: Marina Goussina, Harold Schellinx & E_Rébus. Espace en Cours, Paris (France)
     
     
185. Oct. 18 2013 - Un-public // 1. With Yoko Miura, Doan Tri Minh, Jean Bordé, E_Rébus & Har$. Paris (France)
     
     
186. Sept. 25, 2013 - ULTRA in 5 minutes. Ignite #30, Mediamatic Fabriek, Amsterdam (the Netherlands)
     
     
187. Aug. 30, 2013 - Hollands Spoor. 2013 = C50. Tales for Tapes #10, Berlin (Germany)
     
     
188. July 20, 2013 - Erébus & Har$ Le Placard First Floor Générale, Sèvres (France)
     
     
189. June 29 - 30, 2013 - E t c ... [Carcone, Foschia, Schellinx & Zylberajch]. Festival des Ephémères, Paris (France), 4 x 30 min.
     
     
190. June 28 - 29, 2013 = C50. Tales for Tapes #9. (Lang Leve Lou Ottens!) Kobe, Ivry-sur-Seine (France)
     
     
191. June 14, 2013 - ookoi, Wandelzand premiere, Ameland (the Netherlands)
     
     
192. May 25, 2013 - Loran, Dora, Azuda, Jean & Har$. Chez Adel, Paris X (France), 18h
     
     
193. May 18 - 20, 2013 - Re: Table (performance/installation) - Kunsttour 2013, Wiebengahal, Maastricht (the Netherlands).
     
     
194. April 19-20, 2013 - Y.Numbr. Rietveld/NASA, Amsterdam (the Netherlands).
     
     
195. April 6, 2013 - Cultuurnacht, radio show. Heerlen (the Netherlands).
     
     
196. March 17, 2013 - C50 - Lang Leve Lou Ottens! KKWNE web radio, Paris (France).
     
     
197. Feb. 1, 2013 - D(emacker), S(chellinx) & M(ertens) - GRAUZONE Festival, De Melkweg, Amsterdam (the Netherlands).
     
     
198. Oct. 2, 2012 - DIKTAT. Incubatort Arts Project, St. Mark's Church-in-the-Bowery, 2nd Floor, 131 East 10th St., New York (USA).
     
     
199. Oct. 1, 2012 - DIKTAT, Panoply Performance Laboratory, 104 Meserole St., Brooklyn, New York (USA)
     
     
200. Sep. 28, 2012 - DIKTAT @ Sonic Circuits Festival, Washington (USA).
     
     
201. Sep. 27, 2012 - DIKTAT @ Martin Art Gallery, Allentown (USA).
     
     
202. Sep. 13, 2012 - DIKTAT @ Trashvortex, Ivry sur Seine (France). 20h30
     
     
203. Aug. 30 - Sept. 2, 2012 - ULTRA - De Musical @ Mini-tour + Steve Lake + GW Sok: Maloe Melo - Amsterdam, De Vinger - The Hague, ACU - Utrecht (the Netherlands).
     
     
204. July 27-30, 2012 - Har$ @ Placard XV. Paris (France), 4x
     
     
205. July 14, 2012 - Har$ & La Vie de Bohème [Smikkelbaard 7" vinyl live pre-view]. Sub071, Leiden (the Netherlands), 21h
     
     
206. July 2-4, 2012 - Citynumberscapes: London, Amsterdam Paris. ResonanceFM, Clear Spot (8-9 pm, UK time).
     
     
207. June 30 - July 1, 2012 - Arbre Etc [Carcone, Foschia & Schellinx]. Festival des Ephémères, Paris (France), 6 x 30 min.
     
     
208. June 17, 2012 - ULTRA @ Bongo at the Bieb - Amsterdam FM. Public Library, Amsterdam (the Netherlands). 14h-15h
     
     
209. May 19, 2012 - ULTRA Presentation/Performance @ 'This is not a punk lecture', Centraal Museum, Utrecht (the Netherlands)
     
     
210. April 24, 2012 - ULTRA@Steim. Ultra-Nu, with Bertin, ookoi + Instruments, a.o., STEIM, Amsterdam (the Netherlands), 20h
     
     
211. April 20+21, 2012 - YLTRA audio workshop, Rietveld Academy/Club Karlsson, Amsterdam (the Netherlands)
     
     
212. April 20, 2012 - ULTRA @ OBA Live, Radio 5. Public Library, Amsterdam (the Netherlands), 20h
     
     
213. April 7, 2012 - ULTRA 2012 - Final: lectures, panel discussion + events + concerts, De Melkweg, Amsterdam (the Netherlands), 19h (tickets: €20,-)
     
     
214. April 7, 2012 - ULTRA, presentation + surprise concert, Concerto, Amsterdam (the Netherlands), 15h-16h
     
     
215. March 16, 2012 - ULTRA Underground Cinema. Galerie De Inkijk, metrostation Weesperplein, Amsterdam (the Netherlands), 19h30h
     
     
216. March 12-16, 2012 - ULTRA, No Future Nu & Bibikov: 2x daily book readings + performances, Galerie De Inkijk, metrostation Weesperplein, Amsterdam (the Netherlands), 8h-9h, 17h30-18h30
     
     
217. March 11, 2012 - ULTRA 2012, events + concerts, Dansmakers, Amsterdam (the Netherlands), 20h30 (tickets: €25,-)
     
     
218. March 11, 2012 - Opening ULTRA, No Future Nu & Bibikov, Galerie De Inkijk, metrostation Weesperplein, Amsterdam (the Netherlands), 16h
     
     
219. March 10, 2012 - ULTRA 2012, presentation, events + concerts, Worm, Rotterdam (the Netherlands), 20h
     
     
220. March 9, 2012 - ULTRA 2012, presentation, events + concerts, TAC, Eindhoven (the Netherlands), 20h
     
     
221. March 8, 2012 - ULTRA 2012, presentation, events + concerts, Extrapool, Nijmegen (the Netherlands), 20h
     
     
222. March 7, 2012 - ULTRA, Book Presentation + Schellinx/Duerinckx/Mobin + Minny Pops Drastic Measures, Drastic Movements suite, Ateliers Claus, Brussels (Belgium). 20h30
     
     
223. March 2, 2012 - ULTRA + No Future Nu. Aan tafel bij VPRO's De Avonden tijdens opening God Save The Queen tentoonstelling. Centraal Museum, Utrecht (the Netherlands) (Opening expo invitation only)
     
     
224. March 1, 2012 - ULTRA, Book Presentation, W139, Amsterdam (the Netherlands), 19h (invitation only)
     
     
225. Feb. 29, 2012 - Red Light ULTRA Schrikkelshow, Red Light Radio, Amsterdam (the Netherlands). 17-18h
     
     
226. Jan. 27, 2012 - Paris Rape Run 2 Presentation, Instants Chavirés, Montreuil (France) 20h30
     
     
227. Jan. 22, 2012 - Schellinx & van Alebeek: Hollands Spoor. Le Bouillon Belge, Paris (France) 21h
     
     
228. Jan. 17, 2012 - Diktat & guests - Magnetic Remancence. La Générale Nord-Est, Paris (France) 19h30
     
     
229. Jan. 16, 2012 - Diktat - Magnetic Remancence. Songs of Praise, Radio Aligre FM - Paris (France) 19h30 -21h
     
     
230. Jan. 14, 2012 - ULTRA, Opkomst & Ondergang. Muzikale lezing. Noorderslag, Oosterpoort, Groningen (the Netherlands). 12h30
     
     
231. Dec. 31, 2011 - Seventy Seconds in the toilets @ Hard Hoofd New Year ' Party , Kriterion, Amsterdam (the Netherlands).
     
     
232. Dec. 16, 2011 - Seventy Seconds @ Hard Hoofd/Entrée Late Night Café, Concertgebouw, Amsterdam (the Netherlands). 22h30
     
     
233. Dec. 10, 2011 - Geluid als taal en teken. Muziek als paal en perk. Presentation/lecture, (h)ear Festival, Heerlen (the Netherlands).
     
     
234. Dec. 15+20, 2011 - Found Tapes @ K7eurs. Tape's Not Dead. ARTE TV, Tracks.
     
     
235. Dec. 13-30, 2011 - Found Tapes @ Neue Positionen. Der Fortschritt. Intro In situ, Maastricht (the Netherlands).
     
     
236. Dec. 8, 2011 - Raudio ULTRA, met Wiel Seuskens &. Peter Mertens, Red Light Radio, Amsterdam (the Netherlands). 20h
     
     
237. Nov. 17-26, 2011 - Seventy Seconds @ Hard Hoofd Tentoonstelling, Artpocalypse, Amsterdam (the Netherlands).
     
     
238. Sept. 24-25, 2011 - Found Tapes @ Neue Positionen (Art Focus Euregio), Atelierhaus, Aachen (Germany).
     
     
239. Sept. 11-12, 2011 - Resonance Network meeting, Berlin (Germany) - @resonancenet
     
     
240. Sept. 9-11, 2011 - Found Tapes @ Neue Positionen (Art Focus Euregio), Hasselt (Belgium)
     
     

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