Attention Rhizome.org members !
ookoi this summer will work on a release of their forthcoming "WINTERLAND" album in the form of a free interactive iPhone application ... We entered this year's commission competition at Rhizome's as a means to ensure part of the funding needed for this project.
Thank you for viewing and voting for ookoi's proposal !
[ Follow ookoi @ twitter.com ! ]

twitter.com/meesterwerk

may 03, 2009.

[ podcast :: sbpc 31 ... ]

The recent surge of social network twitter.com has firmly established micro-blogging as one of today's most popular means of personal online expression. It is seen used by the young and the old, the timid and the bold, the ugly and the beautiful, by the more and by the less well-to-do, by the famous and by the obscure, by the over-exposed and by the neglected... Though - obviously - not all for the same reason, a great many specimens from these and other categories (or the 'ghost twitters' they employ, as will be the case for many of the famous and powerful that are 'on Twitter') may be found tweeting their way through their days.

Twitter's rise to ubiquity and mass medium status comes with quite a bit of debate, and an awful lot of ridiculing the found 'triviality' of a majority of the tweets that are being twittered across the web. Communication and inter-human relations based upon the sole exchange of ASCII messages containing at most 140 symbols of course makes an easy target for jester, irony and parody. Much of the thus phrased critique though is an awful lot like blaming a dog it is barking.

Except for its proper homologues, Twitter is surely not intended as a replacement or alternative for whatever other means of communication and on- or offline publication that we have at our disposal. Nor is it even approximately capable of eventually becoming such. And no one will oblige me to start sending out ≤ 140-character tweets instead of writing novels or posting lengthy soundblog entries; twittering about his of her life in a daily series of tweets will become mandatory for no one; and no one is - nor will be - obliged to pay attention to or even acknowledge the existence of whichever of the godknowshowmany daily tweets that are being posted all over the world.

On the other hand and also: no one will prohibit those that for some reason do choose to 'tweet' to be creative in the ways that 'they do it'.

And there are those that do.

If you are a Macintosh user and have seen a bit of Twitter, chances are that you'll be as enchanted as I was by Andrew Spitz's Tweet-A-Sound application. TAS is a simple (and free) sound synthesis tool that allows you to instantly post the ≤ 140-character code of the settings for a sound that you 'design' while playing with the application, as a tweet to a Twitter account.

Here's how such a 'sound tweet' will look like on Twitter:

#tas 0 0 199 82 333 82 521 69 585 29 666 0 0 0 147 45 533 69 666 0 0 0 0 0 0 0 0 0 493 2 2 50 4000 5 560 79 54 23 16 53 67 70 3

Conversely, you can import (in this first version of the application that means: copy/paste) a #tas-tweet, and play it in the TAS-application. The following two pictures show the application's two main screens: a screenshot of the 'make and post a sound' interface is shown to the left, and that of the 'play a sound tweet' interface to the right.

There are two interesting ideas here: the first is that the 140 characters of a tweet may be used to encode information other than 'messages in natural language' ( * ); the second is using the Twitter API to build stand-alone applications that enable one to publish such 'codes' to the Twitter network, and retrieve similar 'codes' from there for use and maybe further treatment in your application (that is: to communicate).

[ This SB-edition's podcast is a short montage that I made with three or four more or less randomly picked sound-tweets, as made in, and posted to Twitter via, TAS; and also, of course, played back by me and recorded through the TAS interface. ]

If developed somewhat further, TAS might become a fine tool to use in, for example, a 'sound injury'-type of net-music project, and I'm definitely curious to see whether and how Andrew Spitz, and maybe others, are going to take these ideas further.

There was another report of an interesting use of Twitter, in the Human Powered Chatbot workshop, which on march 24th took place as part of an exhibition at the Contemporary Museum in Baltimore. In this workshop participants were divided into two groups. Some were given a task as 'computational processors', others as subjective processors', by means of a set of simple rules that together turned them into sort of a writing machine, 'connected' to the internet. This 'human writing bot' was devised to create an 'endless chat loop', continuously de- and re-constructing Twitter status messages, Twitter replies, and the results of keyword searches on the NYT and Twitter websites.

Now be it a stack of paper and some pencils, a recording studio and a box full of instruments, a film camera and a bunch of actors, a Twitter account together with an internet connection and a computer ... there is nothing inherent in a tool or technology that will make the results of using it necessarily trivial and of little interest; just as of course - conversely - no tool or technology can guarantee the creation of your masterpiece.

With respect to Twitter, I think that the limit of 140 characters it imposes actually provides an interesting challenge. Like Dan Stowell, who observed in relation to his SCTwitts that it was "kind of like writing haiku for sc..." And as the above two examples demonstrate, smart and exciting things start being done using Twitter as a tool. I would not want to label them 'masterpieces', but there is absolutely nothing that excludes that one day soon someone will create a Twitter masterpiece, is there?

"everything is gonna be diff'rent
when I paint my masterpiece" ( ** )

Somebody will have to do it, so why not give it a go myself? In anticipation of its execution I thought I'd create an appropriate account for a such project. Both twitter.com/masterwork and twitter.com/masterpiece had been taken already, though. Also twitter.com/Meisterwerk and twitter.com/chefdoeuvre turned out to be no longer available ... Fortunately however, and much to my relief, the Dutch equivalents were free.

So now you know how and why I became both twitter.com/meesterwerk and twitter.com/meesterstuk. As a consequence, and taking things to their logical conclusion, my Twitter Masterwork will very likely be in Dutch ... Well, that's even better then, I'd say!

To bring this entry to its end, let me heartily invite all of you - friend or foe, whether you are native Dutch speakers or not - to follow me @meesterwerk, and to follow me @meesterstuk. I will, however, not even think about starting their creation before having gained some decent, critical mass of followers to witness. For if there is not, what would be the use? Could there be any, without a decent crowd to witness? Would there? With no-one there to see or hear, will not pretty much any-thing be a master-thing?

notes __ ::
(*) This was also observed and realized by others, for example by Dan Stowell, who late march started tweeting SuperCollider code chunks via his Twitter account. This SCTwitting was then picked up by others.) [ ^ ]
(**) From the lyrics to 'When I Paint My Masterpiece', by Bob Dylan [ ^ ]

tags: twitter, micro-blogging

# .306.

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le petit paris : das kleine, ici

april 26, 2009.

Last month, on the occasion of Rinus van Alebeek´s most recent short séjour in France, Ana-R joined forces with Radio AligreFM's Songs Of Praise to provide the logistics necessary to mount an edition of das kleine fieldrecordingsfestival in Paris. The space of Radio AligreFM, in the rue de Montreuil, not far from Nation, was just the right spot for this, and Cyril already for quite a while had been talking about wanting to attempt to use it, for example for workshops or for this kind of presentations (rather than concerts). Aligre principally uses it for occasional staff- and other meetings; the studio is downstairs in the basement.

... And it thus came to pass that Rinus notified the fine fleur of fieldrecordists resident in Paris, who then pocketed recordings they had made all over the world and took them to the rue de Montreuil in the 11th arrondissement of the capital, where they gathered for the French premiere of das kleine, on saturday march 14th, 2009, a mere day after friday the 13th ...

Despite the pretty short notice Rinus managed to come up with a fine bill, and the first french edition of das kleine comprised six presentations. Alll of these consisted in the playback of soundfiles from a laptop, except for one, which was a direct playback of files from a Zoom digital recorder. In some cases the playback was nothing but that: playback; in other cases the artist did a 'live-mix' of files, with - sometimes more, sometimes less - instant interventions and decision making.

With the sole exception of a young man still planing on friday the 13th's mesh of colors and sounds, who came flying up the rue de Montreuil in search of something of an after-cirque, the audience had come to quietly sit and listen.
So they did.
And sometimes closed their eyes ...

Two of the presenting artists at le petit paris had participated - during 2008's summer - in the European Sound Delta project, initiated and developed by the Paris based collectif mu. A major part of that project was sort of a floating radio-art laboratory consisting in two barges with varying radiophonic crews, navigating upstream on the Rhine and Danube rivers from the North Sea and the Black Sea, that at the end of their respective cruises met in Strasbourg.
Both Gaël Segalen and Jean-Philippe Renoult (aka Jopo Stereo) were European Sound Delta river residents, and at le petit paris both presented work based on recordings they made during their trans-European river trip.

v - Jean-Philippe (in the left picture) brought us a sneak preview of 'Locked IN', a production for Kunstradio that was broadcast there the day after, on sunday march 15th. It is a radio adaptation of a number of lock concerts that Jean-Philippe did and recorded - together with Sarah Washington, Dinah Bird and Knut Aufermann - on the Danube. On its journey their barge trawled through some of the largest locks in Europe. The quartet used these narrow river-vaults, some of them up to some 25 meters high, for a series of in-situ improvisations using (mainly) battery powered electronic instruments. I do not know what these were exactly, but in the recording they sound a lot like crackle boxes. Sometimes vocals were projected through a megaphone, and they all the time played with the resonance of the locks and the sounds that were in and around them. The piece ends with Jean-Philippe playing his mouth organ, like a lonesome sailor far away from home, along to the rather bleak sound of running water, a squealing gull (or is it the lost crow?) and the desolate moaning and groaning of the lock gates. The sounds produced by the mechanics of the locks, even as mere recordings, are very impressive, and I can but try to imagine how it would feel to be myself on top of a ship at the bottom of a such tens of meters deep narrow rectangular cave, lined by moss-covered walls of concrete. During the projection of Jean-Philippe's piece at some point I closed my eyes, and I imagined myself there at night, sitting on deck and looking up at the framed sky and the stars above. The silence must have been deafening. And indeed, all things considered, I guess that in the end it was this silence of the locks that I longed to hear ...

ii - If I remember correctly, the radiophonic piece presented by Gaël (she's in the picture to the right above) was part of a series of documentary pieces based on her recordings and experiences during the trans-European Danube cruise. Gaël started off with an up-tempo beat made out of a recording of 'banging water' (or something like it). It was the overture to a dense mix, that alternated and overlapped travelsound-recordings with fragments from interviews (some in English, but many also in east-European languages that I do not understand; interviews probably - but I'm guessing here - with east-European artists that were resident on the boat for parts of the journey), on top of a sonic drive, that kept on pushing us forward and made (no joking!) Gaël's presentation this le petit paris's most danceable one. A bit too jittery and nervous at times, at least for my taste, it left me with the impression of listening to the soundtrack of a television documentary of which the images somewhere somehow had been lost...

iii - Emmanuel Mieville (in the left picture) is a Paris born and based composer, who studied at the GRM and who quite literally was raised on musique concrète. Large parts of his presentation involved considerable - and in general not uninteresting - (electronic) treatment of field recordings, that he made on his travels to non-european countries; but where precisely, I forgot. Emmanuel started his set with some of the mean- and dirty-est sounding creaks and cracks yet heard that afternoon. He then led us on through noisy city streets ... There he had us waiting for several minutes at a pedestrians' crossing, next to one of those rhythmic audio signaling devices for the visually handicapped (beeper), before letting the city for a while give way to a more rural scene with bird song ... But hold on! We were not supposed to start to take things too easy too quickly, for soon after the bird sing we are warped back again into the midst of the roar of polluting cars that seemed to be circling the voice of some sort of a public speaker, backed by the bumping beat of pop sounding from a car-stereo; or maybe it comes from a boom box? Before I can make up my mind we are slid forth again, via electronically 'long-smeared' percussion sounds, once more off into a much quieter region. With poultry now; including a rooster that manifests considerable difficulty in properly finishing his cock-a-doodle-dos. And - again - there is the song of sing birds, which then finally, in the last part of the piece, are being joined by adhan, the chanted islamic call to prayer, before fading all out into a jubilatory restfulness ...

iv - Julie La Rousse (in the left-hand picture) had just returned from a trip to Chile. She served us an audiomulch-ed cocktail from recordings made during that journey, in what seemed the most spontaneous of the six petit paris presentations. While she shook her mix, layering and overlapping field recordings on top of a rumbling drone that I imagined being - or signifying - the drone of the airplane's engines, flying her from Paris to Santiago or the other way round, I actually caught Julie smiling broadly at some of the sounds & signs parading across the screen of her lap-top, as if in recalling just how things were (« was der Fall war ») at the time of their recording. Also Gaël smiled vaguely once or twice, a little bit. But surely none of the others did, at least not during their presentation. No way, Charlay ...! So Julie's smiles were kind of a relief. They were a happy view, and it was as if I could see her remember. I liked that, and a fortiori I enjoyed her mix, which was sort of rough and edgy, including the sound of street works and (mulch-)tuned church bells. There was, as a matter fact, also an awful lot of barking involved... Whose dog was that?

vi -Seth Cluett (in picture to the right) is an american artist and composer currently doing his doctoral research (on the loud-speaker as art object and musical space) at the Parisian Observatoire Musical Français - Musique, Informatique et Nouvelles Technologies. Seth presented a mix of a selection from the field recordings that he has been making ("as a tourist," he said, "for that is how one always will consider me here") during his stay in Paris, many of which had a rather unusual 'point d'écoute': they were made with geophones, that he 'buried' at different spots in the city. At the Place de la Concorde, for instance, or in the wall of the tunnel of the Canal Saint-Martin.

i - Heard thus from below, we find a Paris that seems other than the one that was registered by Emmanuel Rébus and Kim Joeun, who signed for the sixth in this series of six petit paris presentations; mentioned here last, but it was their selection of short direct-to-Zoom recordings that in fact opened the first Parisian edition of das kleine. Emmanuel and Kim's recordings are dedicated to the korean 'dada-surrealist' poet Yi Sang, who died in Tokyo in 1937, at the age of 27.
It had been Yi Sang's dream, Rébus told us, to one day visit Paris. But he never could; he never did. Rébus and Kim Joeun therefore decided to 'virtually' make the poet's dream come true, more than seventy years after his demise. They selected a number of spots in Paris (in Montmartre mostly), each with its own peculiar 'soundscape': metro, street, a terrace, a public garden ... Each selected city soundscape acted as a sonic canvas on which Kim Joeun then drew Yi Sang's poems, as she recited them in korean in these public places in Paris. By this - ritualistic - geste, the poet, seventy years after his unduly dead, undoubtedly indeed did visit Paris ... The resulting, un-edited, 'field recordings' are little gems. I found them truly touching, as much because of the utter simplicity of their means, as through the efficaciousness and the thoughtfulness with which they reach their set goal.

Only so little does it take ...

tags: das kleine, fieldrecording, Paris, phonography

# .305.

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  /soundblog at harsmedia com/

Har$ in WORM, June

SoundBlog albums
.:. most recent edition + full archive.:.
@bandcamp

unPublic
.:. most recent edition + full archive.:.
@bandcamp

Stduio's Awesome Foursomes
.:. most recent edition + full archive.:.
@bandcamp

GIALLO, by Etc
limited edition, 33rpm vinyl

earlier entries:

1. Doux Massacres (Gentle Slaughter, or My Xmascoat in Brussels)
2. Going Dutch in the KunschTTurm Club, Mulhouse
3. Full coloration set sudoku solution pieces
4. The Ontological Primacy of Parasitism. An essay in Speculative Parasitology (i)
5. ‘War drift’ for violencello, and other sudoku, latin and costas grids
6. "Let me show you exactly what you are"( Sudoku 3, for double bass )
7. The _ookoide_
8. Emigré : ik besta
9. Home is my Rome
10. Splintertjes van Eeuwigheid
11. Piano, piano (1980-1983)
12. Uit de kast: I am a sudokist
13. Long live ookoi! (Leve ookoi!): a b.ookoipera / een tehoorspel
14. RONALD HEILOO (1959-2024)
15. Orlando & Artaud wed bound at La Générale Nord-Est, even
16. Awesome Foursomes (xviii - 624)
17. A Year in Rear, Stduio's 2023 [ d.ookoi writes b.ookoi (ii) ]
18. Diktat rules in Brussels
19. my future now, my promised land
20. Awesome Foursomes (xi - 178)
21. Awesome Foursomes (x - 789)
22. Awesome Foursomes (ix - 329)
23. Ethereal Reverberations. A Decade of unPublic
24. Holland[s] Spoor
25. Three days of residency at Les Ateliers Claus, Brussels
26. De Nieuwe Beschaving
27. For nothing and no one
28. Three Musketeers Musicking Maastricht & La Générale
29. Berlin: Zero Cohesion (3)
30. Berlin: Zero Cohesion (2 = ©)
31. Art History -)) Histoire de l'Art
32. Berlin: Zero Cohesion (1)
33. X-unPub
34. Awesome Foursomes (viii - 664)
35. Awesome Foursomes (vii - 138)
36. "Manifeste"
37. Awesome Foursomes (vi - 419)
38. The Art of K7, vol. 1
39. Oliebollen
40. A Berlin Reader
41. Awesome Foursomes (v - 954)
42. The Art of K7 ~ Sudokaising [ii]
43. 'Time-', for 12 upright piano's
44. Awesome Foursomes (iv - 793)
45. Awesome Foursomes (iii - 562)
46. Awesome Foursomes (ii - 284)
47. Awesome Foursomes (i - 019)
48. Die Stillgestandenen
49. d.ookoi writes b.ookoi (i)
50. Playing Apart Together: Chuncheon↯Paris
51. Ten years stuck on my iPad
52. Lento (slowly)
53. assemble/dissemble
54. 24 Lullabies for a sick world
55. "TRIO" for 3 piled baby grand piano's
56. AC__« unPublic »
57. GIALLO, by Etc
58. The Art of K7 :: Sudoku Solution 2020 [i]
59. STDUIO Arti: aLife @Hal-fIve
60. STDUIO Arti: The Last Weekend
61. Foundtapers & Foundtaping in Porto
62. Freely improvised and non-academic electroacoustic music {as}[by] urban folk[s]
63. Vive Le Placard ! Varia...
64. The variegated insameness of lawless strthings
65. ookoi 2.0: the remake of a spect[r]al b[r]and
66. CCNL :: Cassette Culture in Linz, Austria (2)
67. CCNL :: Cassette Culture in Linz, Austria (1)
68. Lustrum non publicum
69. T'obsolete or not t'obsolete [iv]
70. Cross Countries Croissant
71. Rage, rafts & refugees
72. T'obsolete or not t'obsolete [iii]
73. T'obsolete or not t'obsolete [ii]
74. Between now and then, nine years from here
75. T'obsolete or not t'obsolete [i]
76. Moving out, of, on ... [ii]
77. Moving out, of, on ... [i]
78. 1024, 2016, 2M0M1X1VII7, 2027, 2029, ...
79. Nicolas Collins - 2 April 2016, La Générale
80. unPublic #18 - 대부도 (Daebu-Do), 14 June 2015 (by Ian-John Hutchinson)
81. Emergence at/in the frontiers, fringes & trenches of contemporary music
82. In Praise of Slowness
83. Statues, Lenin, Dogs & Ruins
84. Trust Us
85. Situasonnisme: the City Sonic Festival
86. SQWWO picture book
87. SQWWO live in Brussels
88. Bridges, troubles, water
89. Luister is Pracht
90. Elastic Lecture Nr.2 (for Namhee)
91. Mal-là--colisé dans l'espace et dans le temps
92. René Gude (1957-2015)
93. The men once in green are now writing a book
94. The eerie symmetry of a perfect ping
95. String Quartet with windows, open
96. Appearance and Reality
97. Speculative Dancing
98. Lecture de Cassette
99. You are NOT Hier!
100. La physicalité du son. Tome 1
101. 12 - 11 - 9 - 10 - 3 - 6 - 7 - 1 - 2 - 8 - 4 - 5
102. Le Temps Musical
103. Cassettes, Candles & Champagne
104. De Val van Chroom / The Fall of Chrome
105. unPublic 1, 2 (sauf riverains)
106. The Art of K7 (prelude)
107. "At 19:07 the four helicopters flew over the Pont Neuf"

 

ULTRA (1978-1983)
Lebowski Publishers, Amsterdam.
ISBN 978 90 488 1240 0 / NUR 401

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Harold Schellinx - 'Re: Table. Rezzing Daniel Spoerri's 1961 Carcassonne table' (Extrapool/Knust, Nijmegen 2010)
Limited numbered edition
€ 16,50 incl. p&p.

:.not so recent, recent & upcoming EVENTS.:

1. June 16-22 2025 - HAROLD SCHELLINX Post-Post-ULTRA (van 1983 tot en dan almaar verdur). WORM, Rotterdam (the Netherlands)
   
   
2. May 29 2025 - "Let me show you exactly what you are" (sudoku for double bass solo + elecronic sounds; world première) & Doux Massacres, with Huijun Yi, Shih-wen Lee, Har$ - Haekem Theatre, Brussels (Belgium), 20h
   
   
3. March 29 2025 - unPublic #111 - Paris (France)
   
   
4. March 26 2025 - Harold Schellinx solo & with Yi Huijun, Shih-wen Lee. OMFI - Brussels (Belgium), 20h
   
   
5. March 25 2025 - unPublic #110 - Brussels (France)
   
   
6. February 18 2025 - Going Dutch w/ Har$ at the KunschTTurm Club - Mulhouse (France), 20h
   
   
7. November 13 2024 - unPublic #109 - Paris (France)
   
   
8. November 11 2024 - unPublic #108 - Paris (France)
   
   
9. November 9 2024 - Yenting Hsu, Nori Kajio, Hsin-Yun Tsai & Har$, La Générale Nord-Est - Paris (France)
   
   
10. October 20 2024 - Har$ (solo), La Générale Nord-Est - Paris (France)
    
    
11. October 10 2024 - Miura, Volquartz, Kan & Har$, Tiasci - Paris (France)
    
    
12. October 9 2024 - unPublic #107 - Paris (France)
    
    
13. August 22 2024 - unPublic #106 - Paris (France)
    
    
14. August 4 2024 - unPublic #105 - Paris (France)
    
    
15. June 22 2024 - unPublic #104 - Paris (France)
    
    
16. June 3 2024 - unPublic #103 - Amsterdam (the Netherlands)
    
    
17. May 19 2024 - unPublic #102 - Paris (France)
    
    
18. April 25 2024 - Rébus & Har$ - Ontological Anteriority of Parasitism over the Normal and the Computable: Dissecting the politics of digital vs. analogue in contemporary music - Conference 'Politics of the Machines: Lifelikeness and beyond' (POM2024), Aachen (Germany)
    
    
19. January 9 2024 - unPublic #101 - Paris (France)
    
    
20. October 31 2023 - Diktat (with Shih-wen-Lee), Haekem Theatre, Brussels (Belgium)
    
    
21. October 18 2023 - unPublic #100 - Paris (France)
    
    
22. September 6 2023 - unPublic #99 - Rotterdam (the Netherlands)
    
    
23. September 4-11 2023 - Har$, Radio WORM residency, Rotterdam (the Netherlands)
    
    
24. September 3 2023 - Holland Spoor - Har$ & Rinus van Alebeek - Galerie HOK, Den Haag (the Netherlands)
    
    
25. September 2 2023 -Holland Spoor - Har$ & Rinus van Alebeek. Onze Ambassasde Festival - West, Den Haag (the Netherlands)
    
    
26. July 29 2023 - unPublic #98 - Paris (France)
    
    
27. July 23 2023 - unPublic #97 - Paris (France)
    
    
28. June 24 2023 - unPublic #96 - Paris (France)
    
    
29. June 14 2023 - unPublic #95 - Parc Floral, Paris (France)
    
    
30. May 11-13 2023 - Har$ & Diktat (with Shih-wen-Lee) and unPublics #93 & #94, Les Ateliers Claus (studio), Brussels (Belgium)
    
    
31. December 28 2022 - unPublic #92 - Utrecht (the Netherlands)
    
    
32. December 27 2022 - unPublic #91 - Amsterdam (the Netherlands)
    
    
33. December 3 2022 - Reading from TaUM (en/fr) - Har$ & Chen for radio Pi-Node, La Générale Nord-Est, Paris (France)
    
    
34. November 22 2022 - unPublic #90 - Paris (France)
    
    
35. November 22 2022 - van Alebeek, Wurstbrücke, Carcone & Har$ - La Générale Nord-Est, Paris (France)
    
    
36. November 19 2022 - unPublic #89 - Paris (France)
    
    
37. November 1 2022 - unPublic #88 - Paris (France)
    
    
38. August 7 2022 - unPublic #87 - Paris (France)
    
    
39. August 6 2022 - unPublic #86 - Maastricht (the Netherlands)
    
    
40. August 5 2022 - König, Rébus & Har$) - 't Keldertje LandbouwBelang, Maastricht (the Netherlands)
    
    
41. August 3 2022 - unPublic #85 - Paris (France)
    
    
42. June 26 2022 - ƸDikt (van Alebeek, Rébus & Har$) - Zero-Coherence @ Liebig12, Berlin (Germany)
    
    
43. June 25 2022 - unPublic #83 and unPublic #84 - Berlin (Germany)
    
    
44. June 24 2022 - unPublic #82 - Berlin (Germany)
    
    
45. June 22 2022 - unPublic #81 - Paris (France)
    
    
46. February 25 2022 - unPublic #80 - Paris (France)
    
    
47. January 23 2022 - unPublic #79 - Orléans (France)
    
    
48. November 11 2021 - unPublic #78 - Paris (France)
    
    
49. October 19 2021 - Etc ... Giallo!, finissage Guy Maddin expo - The Film Gallery, Paris (France)
    
    
50. August 6 2021 - unPublic #77 - Ars-en-Ré (France)
    
    
51. July 14 2021 - unPublic #76 - Amsterdam (the Netherlands)
    
    
52. June 27 2021 - unPublic #75 - Paris (France)
    
    
53. April 25 2021 - unPublic #74 - Paris (France)
    
    
54. April 18 2021 - unPublic #73 - Chuncheon (South-Korea) ↯ Paris (France)
    
    
55. March 21 2021 - unPublic #72 - Paris (France)
    
    
56. December 22 2020 - unPublic #71 - Paris (France)
    
    
57. October 18 2020 - unPublic #70 - Paris (France)
    
    
58. May 24 2020 - unPublic #69 - 4th corona con~fine cyber.uP
    
    
59. May 16 2020 - unPublic #68 - 3rd corona con~fine cyber.uP
    
    
60. April 26 2020 - unPublic #67 - 2nd corona con~fine cyber.uP
    
    
61. April 18 2020 - unPublic #66 - 1st corona con~fine cyber.uP
    
    
62. February 22 2020 - unPublic #65 - Paris (France)
    
    
63. January 10-26 2020 - ookoi presents: Stduio Arti. Arti et Amicitiae, Amsterdam (the Netherlands). Daily. Live event: January 16, 13h-18h
    
    
64. December 17 2019 - Pascal Marzan, Jean Bordé & Har$. Tiasci, Paris X (France). 20h30
    
    
65. December 1 2019 - Giallo by ETC - Carcone, Foschia, Har$. Les Nautes, Paris IV (France). 20h30
    
    
66. November 28 2019 - unPublic #64 - Paris (France)
    
    
67. November 10 2019 - Har$. Foundtaping & Found Tapes Exhibition Lecture, Porto (Portugal). 19h
    
    
68. November 6 2019 - unPublic #63 - Paris (France)
    
    
69. October 6 2019 - Yoko Miura, Kentaro Suzuki, Marco Caccialupi, Judith Kan & Har$. Tiasci, Paris X (France). 20h
    
    
70. September 29 2019 - Live K7 Sudoku, by Har$. 'Do Not Interrupt Your Activity', La Générale, Paris XI (France). 19h30
    
    
71. September 21 2019 - unPublic #62 - Paris (France)
    
    
72. August 23 2019 - Freely improvised and non-academic electroacoustic music as urban folk, Rébus & Har$. International Conference 'Re-Sound. Media-art etc' - Aalborg (Denmark)
    
    
73. July 30 2019 - unPublic #61 - Amsterdam (the Netherlands)
    
    
74. July 14 2019 - unPublic #60 - Paris (France)
    
    
75. July 7 2019 - unPublic #59 - Paris (France)
    
    
76. November 27 2018 - unPublic #58 - Paris (France)
    
    
77. November 12 2018 - unPublic #57 - Montreuil (France)
    
    
78. October 18 2018 - unPublic #56 - Bures-sur-Yvette (France)
    
    
79. October 16 2018 - unPublic #55 - Paris (France)
    
    
80. October 14 2018 - "Bizar, bizar, bizar" ~ ookoi 2.0. Ploeg + Werk Party - Paradiso, Amsterdam (the Netherlands), 21h45
    
    
81. October 14 2018 - Global Garage's Utopian Mind Station, closing event of the 20th FCDEP. Joris Guibert, Mitsuaki Matsumoto, Gisèle Papa, Hector Castells, Arno Bisselbach, Claude Parle, Rébus, Har$; directed by Marc Plas - Grand Action, Paris V (France), 21h
    
    
82. October 2 2018 - Har$, Rébus, Jean-Michel Susini, Fred Marty, Yoko Miura - Tiasci, Paris X (France), 20h30
    
    
83. July 14 2018 - unPublic #54 - Paris (France)
    
    
84. July 11 2018 - Har$, OÖ Kulturquartier. Linz (Austria), 20h
    
    
85. July 9 2018 - Har$, Found Tapes. Cassette Culture Node.Linz (Austria), 20h
    
    
86. July 8 2018 - Har$, Kunst mit Tapes machen!. Cassette Culture Node.Linz (Austria), 17h
    
    
87. June 28 2018 - Esthétique de l'effacement, Rébus & Har$, Les Grands Voisins, Paris XIV. 20h
    
    
88. June 24 2018 - An Ti Na de Dora Tal, avec Emmanuel Coutris, Raphael Raffi Derderyan & Har$, Péniche le Marcounet, Paris IV. 15h
    
    
89. June 14 2018 - unPublic #53 - Paris (France)
    
    
90. June 03 2018 - unPublic #52 - Brussels (Belgium)
    
    
91. June 02 2018 - Rébus & Har$ ; OMFI 32, Lamab - Brussels (Belgium) ; 19h30
    
    
92. April 29 2018 - unPublic #51 - Seoul (South Korea)
    
    
93. March 17 2018 - Car-tet: Dora Tal, Claude Parle, Rébus & Har$. Tiasci - Paris (France)
    
    
94. February 5 2018 - unPub.L.ic: #50 - Paris (France)
    
    
95. February 4 2018 - DIKTAT - Rinus van Alebeek, Jean Bordé Rébus & Har$ - La Générale, Paris (France), 16h & 20h30
    
    
96. February 3 2018 - unPublic #49 - Paris (France)
    
    
97. January 28 2018 - ETC - Anthony Carcone, Jacques Foschia & Har$ - La Générale, Paris (France), 20h30
    
    
98. November 10 2017 - unPublic #48 - IRCAM, Paris (France)
    
    
99. November 8 2017 - "unPublic: Theory and practice of musical, cultural and social hacking outside the manufactured normalcy field", Rébus & Har$. International Conference 'Music & Hacking', Musée Quai Branly - Paris (France)
    
    
100. November 5 2017 - unPublic #47 - Montreuil (France)
     
     
101. November 4 2017 - unPublic #46 - Paris (France)
     
     
102. July 24 2017 - unPublic #45 - Paris (France)
     
     
103. June 28 2017 - unPublic #44 - Tokyo (Japan)
     
     
104. June 26 2017 - Yoko Miura, Osamu Kuroda, Kanji Nakao, Yuka Kanekio, Sachie Tamori & Har$ - Le Violon, Tokyo (Japan)
     
     
105. May 26 2017 - unPublic #43 - Paris (France)
     
     
106. May 11 2017 - unPublic #42 - Vincennes (France)
     
     
107. May 5 2017 - Dora Tal, James Nichols, Rébus & Har$ - Babilo, Paris (France), 20h
     
     
108. April 28 2017 - unPublic #41 - Vincennes (France)
     
     
109. March 21 2017 - unPublic #40 - Paris (France)
     
     
110. February 24 2017 - "Une de mes pensées pour un parmi vous devenait invisible" - Tristan Padelle, Vincent Reduron, Emmanuel Coutris, Dora Tal & Har$ - Babilo, Paris (France), 20h
     
     
111. February 10 2017 - unPublic #39 - 聽說 (Ting Shuo hear say) Studio, Tainan City (Taiwan)
     
     
112. January 23 2017 - unPublic #38 - Kaohsiung City (Taiwan)
     
     
113. January 13 2017 - "Improvise, improvisée" - Thierry Marietan, Tristan Padelle, Vincent Reduron, Dora Tal & Har$ - Tiasci, Paris (France), 20h30
     
     
114. December 30 2016 - unPublic #37 - Brussels (Belgium)
     
     
115. December 18 2016 - unPublic #36 - Paris (France)
     
     
116. November 12 2016 - unPublic #35 - Paris (France)
     
     
117. November 1 2016 - Strange Fruit - Yoko Miura, Jean Bordé, Anthony Carcone & Har$ - La Friche, Paris XI (France), 14h
     
     
118. September 8 2016 - Rafaële Arditti, Jean Bordé, Emmanuel Courtris & Har$ play Dora Stalidou's ... dans un ensemble de crystal - Babilo, Paris XVIII (France), 20h30
     
     
119. August 25 2016 - unPublic #34 - Taipei City (Taiwan)
     
     
120. July 5 2016 - 130 Steps Up. With Blenno Wurstbrücke a.o., Paris IX
     
     
121. June 27 2016 - unPublic #33 - Berlin (Germany)
     
     
122. June 19 2016 - unPublic #32 - The Logic of Freedom, Paris (France)
     
     
123. May 19 2016 - Har$. Talkshow "1968", Paradiso, Amsterdam (the Netherlands)
     
     
124. May 11 2016 - Rébus & Har$. Micro- and macrostructural emergence in free improvisation, sound-art and composition (lecture-presentation), Colloque L'Emergence en Musique (Festival aCROSS '16), Plaisir/Versailles (France)
     
     
125. May 01 2016 - unPublic #30 - Volkmann, Volco, Kan, Wang & Har$. Vincennes (France)
     
     
126. April 26 2016 - unPublic #29 - Tarnopolsky, FlexRex, Carcone & Har$. Montreuil (France)
     
     
127. April 24 2016 - unPublic #28 - Felipe, Greuters, FlexRex, Carcone, Rébus & Har$. Montreuil/Paris (France)
     
     
128. April 09/10 2016 - Rébus & Har$. Emergency/Emergence. Placard @Résidence 87, Paris (France), 00h00
     
     
129. April 08 2016 - Naoki Kita, Michael Nick, Yaping Wang, Rébus & Har$. Chez Madeleine, Saint-Ouen (France), 20h30
     
     
130. March 06 2016 - Fouquet, Wang & Har$. La Guillotine, Montreuil (France), 17h
     
     
131. March 01 2016 - unPublic #27 - Ghent, Chi, Zhang, Wang & Har$. Paris (France)
     
     
132. Jan. 14 2016 - "Trust Us" - Opening performance, with Michael Ghent, Agnès Belkabi, Anthony Carcone, Rébus & Har$. Mains d'Oeuvres, Saint-Ouen (France)
     
     
133. Dec. 20 2015 - unPublic #26 - Parisi, Caccialupi, Kan, Wang, Rébus & Har$. Vincennes (France)
     
     
134. Nov. 29 2015 - unPublic #25 - Der Rufer, Tengger, Ivanne Barberis, Yaping Wang, Rébus & Har$. Paris XI (France)
     
     
135. Nov. 20 2015 - unPublic #24 - Yaping Wang, Yoko Miura, Jean Bordé & Har$. Vincennes (France)
     
     
136. Nov. 8 2015 - unPublic #23 - Manli Zhang, Chi Po-Hao, Toni Dimitrov, Jovan Lambseski, Rébus & Har$. La Générale, Paris XI
     
     
137. Nov. 7 2015 - "In Praise of Slowness", Креативен викенд (Kreativen Vikend) pesentation, La Générale, Paris XI
     
     
138. Oct. 28 2015 - unPublic #22, Belgrade (Serbia)
     
     
139. Oct. 26 2015 - Har$, Rébus & Bojan Sungulov - Live radio performance Kanal 103, Skopje (Republic of Macedonia)
     
     
140. Oct. 24 2015 - unPublic #21, Lazaropole (Republic of Macedonia)
     
     
141. Oct. 23-25 2015 - Креативен викенд (Kreativen Vikend), Lazaropole (Republic of Macedonia)
     
     
142. Sept. 27 2015 - Har$ & Rébus - K7 performance. City Sonic Festival, Mons (Belgium)
     
     
143. Sept. 11-27 2015 - Har$ - Found Tapes Exhibition, photo expo + audio stream. City Sonic Festival, Mons (Belgium)
     
     
144. Sept. 6 2015 - Har$, Rébus, Mobin - live K7 impro. Tapage Nocturne, France Musique - 23h
     
     
145. Sept. 3 2015 - Har$, Rébus, Mobin - live recording for Radio France
     
     
146. July 11 2015 - unPublic #20, Les Ateliers Claus, Brussels (Belgium)
     
     
147. July 10 2015 - Perf-ArtK7: Mobin, Rébus, McJJ & Har$ - Recyclart, Brussels (Belgium)
     
     
148. July 9-10 2015 - Har$'s String Quartet with windows, open (24 hours) - Recyclart, Brussels (Belgium)
     
     
149. June 27 2015 - A Bridge for Jodi - unPublic #19: Rose, König, Rébus, Har$. Paris XI (France)
     
     
150. June 14 2015 - unPublic #18: Lee, Abdelhamid, Hutchinson, Rébus. 대부도 / Daebu-do (South-Korea)
     
     
151. June 13 2015 - Etc..., Espace en Cours, Paris XX (France). 19h30
     
     
152. May 13 2015 - Bordé, Heyden, Rébus & Har$ - Tiasci, Paris X (France). 20h30 (10€ PAF)
     
     
153. May 6 2015 - Rébus & Har$. Lecture-performance: A433, ou le LA de Schrödinger - Gare Expérimentale, Paris XII
     
     
154. Apr. 12 2015 - Un-public #17: Kwon, Nick, Carcone, Har$. Galerie 43, Paris XIII.
     
     
155. Apr. 4 2015 - Last Supper - Un-public #16. La Générale, Paris XI. Invitation only.
     
     
156. Apr. 4 2015 - Har$: Elastic Lecture Nr. 2 - (L'I-m-a-g-e E-s-t U-n O-b-j-e-t E-l-a-s-t-i-q-u-e). La Générale, Paris XI. 17h
     
     
157. Apr. 3 2015 - DIKTAT - "Happy Birdday, Dinah!", Panthère Ose, Paris IX (France). 19h
     
     
158. Mar. 24 2015 - "Mal Localisé Dans Le Temps et Dans L'Espace" (L'I-m-a-g-e E-s-t U-n O-b-j-e-t E-l-a-s-t-i-q-u-e), Friches et Nous La Paix, Paris XX (France). 19h
     
     
159. Mar. 23 2015 - Secret Tape Research Lab, w/ Anton Mobin, Blenno Wurstbrücke & Har$. DIYChurch - Parsons, Paris (France). 18-20h
     
     
160. Mar. 05 2015 - Un-public #15. With Jeff Kolar, Dinah Bird, Anton Mobin, E_Rébus & Har$. Paris (France)
     
     
161. Dec. 19 2014 - Yoko Miura, Anthony Carcone, Jean Bordé, Rébus & Har$. Tiasci, Paris X (France). 20h30 (10€ PAF)
     
     
162. Dec. 12 2014 - Un-public #14. With Rain, Michael Nick, Cécile Zylberajch, Jacques Foschia, Anthony Carcone, E_Rébus & Har$. Paris (France)
     
     
163. Dec. 11 2014 - E t c ... (w./ Anthony Carcone, Jacques Foschia, Har$ & Cécile Zylberajch). Semaine du Bizarre - Théatre Municipal Berthelot, Montreuil (France). 20h30
     
     
164. Dec. 09 2014 - Un-public #13. With Abril Padilla, Anthony Carcone, E_Rébus & Har$. Paris (France)
     
     
165. Nov. 23 2014 - Un-public #12. Apassionato. With Francis Larvor, Claude Parle, Yoko Miura, Jean Bordé & Har$. Vincennes (France)
     
     
166. Nov. 2 2014 - DIKTAT at the Volkspaleis/Zuiderstrandtheater, Den Haag/Scheveningen, the Netherlands. 22h
     
     
167. Oct. 25/26 2014 - String Quartet with windows, open - 24 hour broadcast, Radio On Berlin
     
     
168. Oct. 16 2014 - Un-public // 11. Free reeds. With Ian-John Hutchinson, Yoko Miura, E_Rébus & Har$. Paris (France)
     
     
169. Sept. 21 2014 - Un-public // 10. With Pierre-Jean Vranken, Jean-Jacques Duerinckx, E_Rébus & Har$. Vincennes (France)
     
     
170. Sept. 13 2014 - Carcone, Rébus & Har$ (Etc...) Festival Le Gal Gal, Beaumont-sur-Dême (France)
     
     
171. July 27 2014 - Un-public // 9. With Kaspar Koenig, E_Rébus & Har$. Gonten (Switzerland)
     
     
172. July 24 2014 - Koenig, Rébus & Har$: In Vitrio - The First Great Gutter, Sihlhallenstrasse 4, Zürich (Switzerland).
     
     
173. July 22 2014 - Un-public // 8. Appearance and Reality. With Laura Wetherington & Har$. American Library in Paris (France)
     
     
174. May 24-26 2014 - (24 hours) String Quartet with windows, open - Har$. World premiere. Kunsttour, Maastricht (the Netherlands).
     
     
175. May 10 2014 - Daar & Hier - ookoi/stduio: performative lecture at the Locative Media and Sound Art symposium, Budascoop, Kortrijk (Belgium).
     
     
176. May 3 2014 - Rémanence Magnétique - Har$, Rébus, Wurstbrücke & Anton Mobin, Palais de Tokyo, Paris XVI (France). 17h.
     
     
177. Apr. 6 2014 - La Physicalité du son, tome 1 - Sonic Protest, La Générale, Paris XI (France). 20h.
     
     
178. Apr. 4 2014 - How To Deconstruct Young Lions - ULTRA! Dinner presentation, KuuB Ruimte voor Kunst en Cultuur. Utrecht (The Netherlands)
     
     
179. Mar. 24 2014 - Un-public // 7. Rites of Spring. With Andy Guhl, Anthony Carcone, E_Rébus & Har$. Un-derground bunker, Paris (France)
     
     
180. Feb. 18 2014 - Un-public // 6. Speaking in tongues. With Vu Nhât Tân, Nguyen Kim, Emilie Mouchous, Marina Goussina, FlexRex, Jean Bordé & Har$. La Générale, Paris XI (France)
     
     
181. Feb. 8 2014 - Un-public // 5. Wie die Zeit vergeht. With Jeff Kolar, Hanna B., Anton Mobin, E_Rébus & Har$. Vincennes (France)
     
     
182. Feb. 6 & 7 2014 - Séminaire Le Temps Musical, with Eliane Radigue, Jeff Kolar, Rébus, Har$, and others. Le Cube, Issy-les-Moulineaux (France)
     
     
183. Jan. 15 2014 - DIKTAT (with Anne-F). Centre d'Animation de la Place des Fêtes, Paris XIX (France). 20h30
     
     
184. Dec. 21 2013 - Un-public // 4. Cassette Ritual (2013=C50). With Anton Mobin, Blenno Wurstbrücke, E_Rébus & Har$. La Générale, 2ème ét., Paris XI (France)
     
     
185. Nov. 28 2013 - Un-public // 3. With Mitsuaki Matsumoto, Yoko Miura, Dominique Bertrand, E_Rébus & Har$. Paris (France)
     
     
186. Nov. 16 2013 - Un-public // 2. With Yoko Miura, Marina Goussina, Anthony Carcone, Jean Bordé, E_Rébus & Har$. Vincennes (France)
     
     
187. Nove. 10 2013 - зáумь / zaum: Marina Goussina, Harold Schellinx & E_Rébus. Espace en Cours, Paris (France)
     
     
188. Oct. 18 2013 - Un-public // 1. With Yoko Miura, Doan Tri Minh, Jean Bordé, E_Rébus & Har$. Paris (France)
     
     
189. Sept. 25, 2013 - ULTRA in 5 minutes. Ignite #30, Mediamatic Fabriek, Amsterdam (the Netherlands)
     
     
190. Aug. 30, 2013 - Hollands Spoor. 2013 = C50. Tales for Tapes #10, Berlin (Germany)
     
     
191. July 20, 2013 - Erébus & Har$ Le Placard First Floor Générale, Sèvres (France)
     
     
192. June 29 - 30, 2013 - E t c ... [Carcone, Foschia, Schellinx & Zylberajch]. Festival des Ephémères, Paris (France), 4 x 30 min.
     
     
193. June 28 - 29, 2013 = C50. Tales for Tapes #9. (Lang Leve Lou Ottens!) Kobe, Ivry-sur-Seine (France)
     
     
194. June 14, 2013 - ookoi, Wandelzand premiere, Ameland (the Netherlands)
     
     
195. May 25, 2013 - Loran, Dora, Azuda, Jean & Har$. Chez Adel, Paris X (France), 18h
     
     
196. May 18 - 20, 2013 - Re: Table (performance/installation) - Kunsttour 2013, Wiebengahal, Maastricht (the Netherlands).
     
     
197. April 19-20, 2013 - Y.Numbr. Rietveld/NASA, Amsterdam (the Netherlands).
     
     
198. April 6, 2013 - Cultuurnacht, radio show. Heerlen (the Netherlands).
     
     
199. March 17, 2013 - C50 - Lang Leve Lou Ottens! KKWNE web radio, Paris (France).
     
     
200. Feb. 1, 2013 - D(emacker), S(chellinx) & M(ertens) - GRAUZONE Festival, De Melkweg, Amsterdam (the Netherlands).
     
     
201. Oct. 2, 2012 - DIKTAT. Incubatort Arts Project, St. Mark's Church-in-the-Bowery, 2nd Floor, 131 East 10th St., New York (USA).
     
     
202. Oct. 1, 2012 - DIKTAT, Panoply Performance Laboratory, 104 Meserole St., Brooklyn, New York (USA)
     
     
203. Sep. 28, 2012 - DIKTAT @ Sonic Circuits Festival, Washington (USA).
     
     
204. Sep. 27, 2012 - DIKTAT @ Martin Art Gallery, Allentown (USA).
     
     
205. Sep. 13, 2012 - DIKTAT @ Trashvortex, Ivry sur Seine (France). 20h30
     
     
206. Aug. 30 - Sept. 2, 2012 - ULTRA - De Musical @ Mini-tour + Steve Lake + GW Sok: Maloe Melo - Amsterdam, De Vinger - The Hague, ACU - Utrecht (the Netherlands).
     
     
207. July 27-30, 2012 - Har$ @ Placard XV. Paris (France), 4x
     
     
208. July 14, 2012 - Har$ & La Vie de Bohème [Smikkelbaard 7" vinyl live pre-view]. Sub071, Leiden (the Netherlands), 21h
     
     
209. July 2-4, 2012 - Citynumberscapes: London, Amsterdam Paris. ResonanceFM, Clear Spot (8-9 pm, UK time).
     
     
210. June 30 - July 1, 2012 - Arbre Etc [Carcone, Foschia & Schellinx]. Festival des Ephémères, Paris (France), 6 x 30 min.
     
     
211. June 17, 2012 - ULTRA @ Bongo at the Bieb - Amsterdam FM. Public Library, Amsterdam (the Netherlands). 14h-15h
     
     
212. May 19, 2012 - ULTRA Presentation/Performance @ 'This is not a punk lecture', Centraal Museum, Utrecht (the Netherlands)
     
     
213. April 24, 2012 - ULTRA@Steim. Ultra-Nu, with Bertin, ookoi + Instruments, a.o., STEIM, Amsterdam (the Netherlands), 20h
     
     
214. April 20+21, 2012 - YLTRA audio workshop, Rietveld Academy/Club Karlsson, Amsterdam (the Netherlands)
     
     
215. April 20, 2012 - ULTRA @ OBA Live, Radio 5. Public Library, Amsterdam (the Netherlands), 20h
     
     
216. April 7, 2012 - ULTRA 2012 - Final: lectures, panel discussion + events + concerts, De Melkweg, Amsterdam (the Netherlands), 19h (tickets: €20,-)
     
     
217. April 7, 2012 - ULTRA, presentation + surprise concert, Concerto, Amsterdam (the Netherlands), 15h-16h
     
     
218. March 16, 2012 - ULTRA Underground Cinema. Galerie De Inkijk, metrostation Weesperplein, Amsterdam (the Netherlands), 19h30h
     
     
219. March 12-16, 2012 - ULTRA, No Future Nu & Bibikov: 2x daily book readings + performances, Galerie De Inkijk, metrostation Weesperplein, Amsterdam (the Netherlands), 8h-9h, 17h30-18h30
     
     
220. March 11, 2012 - ULTRA 2012, events + concerts, Dansmakers, Amsterdam (the Netherlands), 20h30 (tickets: €25,-)
     
     
221. March 11, 2012 - Opening ULTRA, No Future Nu & Bibikov, Galerie De Inkijk, metrostation Weesperplein, Amsterdam (the Netherlands), 16h
     
     
222. March 10, 2012 - ULTRA 2012, presentation, events + concerts, Worm, Rotterdam (the Netherlands), 20h
     
     
223. March 9, 2012 - ULTRA 2012, presentation, events + concerts, TAC, Eindhoven (the Netherlands), 20h
     
     
224. March 8, 2012 - ULTRA 2012, presentation, events + concerts, Extrapool, Nijmegen (the Netherlands), 20h
     
     
225. March 7, 2012 - ULTRA, Book Presentation + Schellinx/Duerinckx/Mobin + Minny Pops Drastic Measures, Drastic Movements suite, Ateliers Claus, Brussels (Belgium). 20h30
     
     
226. March 2, 2012 - ULTRA + No Future Nu. Aan tafel bij VPRO's De Avonden tijdens opening God Save The Queen tentoonstelling. Centraal Museum, Utrecht (the Netherlands) (Opening expo invitation only)
     
     
227. March 1, 2012 - ULTRA, Book Presentation, W139, Amsterdam (the Netherlands), 19h (invitation only)
     
     
228. Feb. 29, 2012 - Red Light ULTRA Schrikkelshow, Red Light Radio, Amsterdam (the Netherlands). 17-18h
     
     
229. Jan. 27, 2012 - Paris Rape Run 2 Presentation, Instants Chavirés, Montreuil (France) 20h30
     
     
230. Jan. 22, 2012 - Schellinx & van Alebeek: Hollands Spoor. Le Bouillon Belge, Paris (France) 21h
     
     
231. Jan. 17, 2012 - Diktat & guests - Magnetic Remancence. La Générale Nord-Est, Paris (France) 19h30
     
     
232. Jan. 16, 2012 - Diktat - Magnetic Remancence. Songs of Praise, Radio Aligre FM - Paris (France) 19h30 -21h
     
     
233. Jan. 14, 2012 - ULTRA, Opkomst & Ondergang. Muzikale lezing. Noorderslag, Oosterpoort, Groningen (the Netherlands). 12h30
     
     
234. Dec. 31, 2011 - Seventy Seconds in the toilets @ Hard Hoofd New Year ' Party , Kriterion, Amsterdam (the Netherlands).
     
     
235. Dec. 16, 2011 - Seventy Seconds @ Hard Hoofd/Entrée Late Night Café, Concertgebouw, Amsterdam (the Netherlands). 22h30
     
     
236. Dec. 10, 2011 - Geluid als taal en teken. Muziek als paal en perk. Presentation/lecture, (h)ear Festival, Heerlen (the Netherlands).
     
     
237. Dec. 15+20, 2011 - Found Tapes @ K7eurs. Tape's Not Dead. ARTE TV, Tracks.
     
     
238. Dec. 13-30, 2011 - Found Tapes @ Neue Positionen. Der Fortschritt. Intro In situ, Maastricht (the Netherlands).
     
     
239. Dec. 8, 2011 - Raudio ULTRA, met Wiel Seuskens &. Peter Mertens, Red Light Radio, Amsterdam (the Netherlands). 20h
     
     
240. Nov. 17-26, 2011 - Seventy Seconds @ Hard Hoofd Tentoonstelling, Artpocalypse, Amsterdam (the Netherlands).
     
     
241. Sept. 24-25, 2011 - Found Tapes @ Neue Positionen (Art Focus Euregio), Atelierhaus, Aachen (Germany).
     
     
242. Sept. 11-12, 2011 - Resonance Network meeting, Berlin (Germany) - @resonancenet
     
     
243. Sept. 9-11, 2011 - Found Tapes @ Neue Positionen (Art Focus Euregio), Hasselt (Belgium)
     
     

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