HarSMedia

[ "Back to Berlin" is the title of the 11th edition of Raudio's mainstream. It contains extracts of the tapes found in Berlin, some isolated oddities and parts of the synth recording I made when visiting Berlin way back in 1984. All is centered around "Kentucky Freedom Chicken - The Master of Germany", a selection of several hundreds of extracts taken from the about 18 hours of field recordings that I made during and around das kleine field recordings festival in Berlin (monophonic using my dictaphone, and stereo on an MD recorder), between february 6th and february 13th of 2007 ... Now listen to this ... ]

Fluxissage

april 25, 2007.

[ acoustic flux ] [ sonanismo ] [ bergsonian flux ] [ fifty2 ] [ magnetic {eye} ]

The very last couple of days of march I again spent in Berlin, to attend the finissage, on saturday 31st, of the Acoustic Flux exhibition in Kunstprojektraum Takt, the opening of which, in february, I had missed. I used this second short stay at Takt's to prepare a next acquisition in the Found Tapes Exhibition, nr. 71, which meanwhile has been put online.

It also gave me a chance to see, and hear, the other works on show, and spend some fun time with one of the other artists having work on show, Neil McIntee, from Dundee, Scotland.

neil mcintee Neil called his work the Electicfluxmachine. With two piezo's he picked up the continuous electric hum of the large fuses- switch- and meter-box, in the back of the gallery, amplified the sound, and altered it with a set of electronic delays and filters. An extremely simple, but effective set-up, that worked very well within the gallery's space, where the machine's output due to the reverberation and reflections of the room gave rise to fields of sound through which one could move almost as if it were through some thin wavy liquid. On the evening of the finissage he mixed the machine's output with a shuffle play of the found tapes exhibition's playlist.

Along with the found tapes that could be played on a crummy radio cassette/CD player, Neil's work was the only one that actually sounded in the Takt space. The two other pieces were meant to be experienced in private. With headsets.

Alexandre Decoupigny's installation Town Country House (subtitled "a virtually real soundwalk") is a spatial projection of four 'phonographs', four field recordings, through which one can walk - as it were from 'town' into 'country' and on into 'house' - wearing a set of wireless headphones, and going along a straight line in the direction of an ultrasonic sensor detecting the direction, speed and distance of your body moving; and, of course, the sound 'projected' then is adjusted accordingly. An amusing way to experience a 'changing soundscape', which makes one wonder whether it would be possible to extend the principle to other movements, for example in a plane, in two dimensions, enabling one to walk along a vast 'surface of sounds'. That might open up interesting perspectives and potential from a compositional point of view, which in the current version of course remain somewhat limited, permitting none other than transitions between recordings corresponding to adjacent points in a linear order ...

Town Country House Town Country House
sonanismo sonanismo

[ acoustic flux ] [ sonanismo ] [ bergsonian flux ] [ fifty2 ] [ magnetic {eye} ]

An intriguing looking hatcap with fourteen small loudspeakers and something like an oxygen mask modeled as a hand containing a contact microphone, are the hardware elements used to make one undergo Sonanismo (soundanism), a collaborative project of Miguel Álvarez-Fernández, Stefan Kersten and Asia Piascik.
Apart from the drawn diagram that also forms the Sonanismo website frontpage, the installation comes without further explanation or information. So I put on the hat, had Marcus switch the thing on for me, and held the mask on my mouth and nose and started breathing (the way Neil's doing in the picture above). I heard kind of a mash-up of rock tunes and sounds, louder to the left than to the right. I tried several ways of breathing - from very calmly to pretty agitated - but none appeared to have much influence on the sounds, that continued to blurt out (mainly) into my left ear. I gave up after some ten or fifteen minutes. Maybe there was something wrong? Some bug? Something not working?
Nobody there to explain. I didn't get to know the artists, though they seem to have hopped in and out of Takt towards the end of the finissage on saturday ...

There is, however, a twelve page article on the Sonanismo, written by one of the trio, Miguel Álvarez-Fernández. It is in spanish ("Del diálogo a la ilusión de control: Procesos interactivos en la instalación sonora Sonanismo"), but with a little help of automatic translators here and there I did manage to get some understanding of the many-layered ambitions of the Sonanismo. The paper's list of keywords may serve for a first impression: interactivity, sound installation, sound art, masturbation, feedback (retroalimentación), hyperinstrument.

From the paper I learned that ('free translation') "the software underlying the installation is keeping track of the tempo of the listener's breathing, by analyzing the information provided by the microphone in the mask, and then relates in real-time the continuously updated 'breathing regularity information' to the rhythmical data of a couple of hundreds of sounds, accessible as a sound archive, all elements of which are in some way or other related to the phenomenon of masturbation: extracts from porno film soundtracks, guitar sounds from rock songs (as tokens for onanism in popular culture), recitation of fragments of Walt Whitman's poem Song of Myself, repeating sounds of animals and mechanical tools (jackhammers, et cetera)."
The program should pick and play prominently in the 'sound hat' a file with a tempo corresponding to the tempo of the breathing ... et cetera. I don't think it ever did for me ... or maybe my breathing's tempo was too ... too ... something ?

Once given the 'masturbation' key, other 'semantic layers' written and/or readable into the Sonanismo installation become more or less obvious. Here is another fragment taken from the paper (in automated Google translation ( * )):

"Between the different interpretativos levels from which this piece can be analyzed, is possible to find in her a reading critical, or at least ironic, with respect to certain typical assumptions of the creative scopes normally denominated like 'digital art', 'electronic art' or 'average art' (scopes within which Sonanismo it can be incardinar easily). Beyond which the own one subject of the masturbation could be understood like one possible appeal to the remarkable endogámico will that it characterizes the diffusion of the practical mentioned ones artistic (since most of the assistants to festivales and samples consecrated to these activities usually are dedicated people more or less directly to those same activities, taking place a peculiar one identification between producers and receivers), the piece also it tries to raise a reflection about concept of interactivity, omnipresent in the mentioned ones aesthetic scopes."

[ acoustic flux ] [ sonanismo ] [ bergsonian flux ] [ fifty2 ] [ magnetic {eye} ]

I have nothing against masturbation ambition.

In order to get somewhere, it may even seem essential to be ambitious. ("Especially as long as you have not done anything yet ...!", a former colleague and renowned logician used to insist.) But for the fact that the piece did not seem to work (for whatever reason, me including), and thus ended up coming across as being pretentious rather than ambitious, and as self-indulgent, as auto-referential, rather than as 'smart' and 'critical / ironic' ...

So, "Слава России !" I'd say ...
That's right.
"Glory to Russia !" ...

totaldemokratieDid you know that in Germany one actually is allowed to drink alcoholic beverages from bottles while walking in the streets or riding public transport? Or maybe one is not. But still, everybody's doing it and nobody seems to be taking offense. And on fine warm evenings like those of these last few days of march, you'll come across literally hundreds of bottles of beer strolling along Berlin pavements, being emptied between one and the next party. Doing so in Paris might very well get you arrested, and I remember only recently an Amsterdam tram driver on a late friday evening summoning a couple of youngsters zipping beer inside his tram to leave the vehicle, and refusing to continue his service before they indeed - be it grudgingly - had done so ...

Thus it was that each of us was holding on to a b i g bottle, when Marcus Ahlers, Neil, David Krepfle and myself took the s-bahn up to the Prinzenallee in Wedding on the evening before the Acoustic Flux finissage, for the opening of a show by the moscovian artist group PG, in the Art Laboratory Berlin, a non-commercial art space much like Takt, founded in autumn 2006 by a team of art historians and artists from Germany, Sweden and the USA.

I chatted with at least one of them: Dr. Margareta Tillberg, a most charming art historian from Sweden, who wrote a thesis on the color theory of Mikhail Matiushin (1861/6-1934), russian futurist, painter, musician, theorist ...
"Acoustic Flux ... I love this name," Margareta raved (she had been at a conference on art and science all day). "Today we have been discussing the bergsonian flux, you know, Henri Bergson, the french philosopher, who's talking about flux, you know, the world being dissolved into particles and vibrations, so this is from this particles-and-vibrations theory that came up in the beginning of ... and he has this philosophy about everything being dissolved, you and me being dissolved, into these particles and we're part of this ... flux ...". She ever so slightly but still quite perceptibly shuddered, from her head down to her toes, while uttering that word and tasting each one of its letters: "... f l u x ! ..." and her eyes closed a wee bit more, radiating a knowing smile ...

Was it bergsonian flux then that carried us back to Friedrichshain, where after midnight the party continued in David Krepfle's studio, only to drift on, again several hours later, into a Heavy Metal bar for another parade of ever more vibrating beers and tequila's, waiting for dawn as if it were a Godot ... ? And was it any wonder that I felt somewhat dissolved the day after, on the day of the finissage ... ?

[ acoustic flux ] [ sonanismo ] [ bergsonian flux ] [ fifty2 ] [ magnetic {eye} ]

Margareta did not make it that saturday evening to Takt in the Wülischstraße. Neither did quite a few others on 'whose list' we were ... Ah well, there's so much going on in Berlin on a saturday night ... Who did make it, though, were Patrick Huber and Ute Lindner, at whose show in the parisian gallery Immanence we did a Diktat performance early december 2006, and who meanwhile did move back to Berlin.

Magnus SchaeferAlso there was Magnus Schaefer. Magnus writes for Vital Weekly, "an e-mail magazine, which appears 48 times a year and has the latest cd-reviews and news on concerts and festivals". Magnus came to the finissage to get his copy of the Fifty/Fifty box [click his picture to enlarge] ... which sort of reminds me that I should find some time to update the 50/50-pages, and to prepare some more copies to send out ... (Fifty/Fifty continues to be available, so if you would like to get one: shout!).
Magnus reviewed our parisian trio in La Miroiterie, with Philippe Simon, and the Fifty/Fifty, in issue 566 of Vital Weekly, ( ** ) but as you may understand, just writing a review will not get you a complete Fifty/Fifty ... So this was the deal: we would give Magnus a box and a cassette, and he himself would buy the dictaphone to play the tape on, and complete the object; in return Magnus made and send us a fifty minutes field recording / reportage about his acquisition of the dictaphone ... ( *** )

Here's what Magnus writes about it himself, in an email dated april 25th, 2007 ... Much looking forward to actually listening to his recording ....

"ich habe jetzt ein dictaphon zu dem fifty/fifty-tape gekauft, auf dem flohmarkt am mauerpark, 3 euro. ein sehr schoener kauf, insofern es funktioniert, allerdings nicht reibungslos. manchmal kann man kassetten damit abspielen, manchmal nicht. also so individuell, wie ein guter flohmarktkauf sein sollte. das dictaphon ist etwa doppelt so gross wie ein normales, also zu gross fuer die box. es benoetigt vier batterien und wird dadurch ziemlich schwer. das eingebaute mikrophon scheint zu funktionieren, aber der 'record'-knopf nicht.. das schoenste an dem geraet ist wohl, dass es manchmal ein lautes brummen erzeugt (ohne dass eine kassette eingelegt ist), dessen frequenz und intensitaet sich mit dem lautstaerkeregler veraendern laesst. und euer konzert klingt auf tape und mit einem walkman gehoert tatsaechlich viel besser als digital. die aufnahmen selbst habe ich mit meinem geliebten "standard radio company"-kassettenrekorder gemacht. ca. 25 - 30 jahre alt, sehr gross, sehr schwer, etwas kaputt. das (zugehoerige) mikrophon hing aus meiner tasche heraus. die ersten zehn minuten dokumentieren meinen gescheiterten versuch, auf einem flohmarkt in der schlesischen strasse, ecke cuvrystrasse einen walkman zu kaufen. der versuch scheiterte, weil es den flohmarkt nicht mehr gibt. jedenfalls hoert man mich auf meinem fahrrad durch kreuzberg fahren. goerlitzer park und wrangelkiez. der rest der aufnahmen ist dann einen tag spaeter entstanden, ein teil meiner u-bahnfahrt nach prenzlauer berg. der weg fussweg zum mauerpark. flohmarkt. am interessantesten sind wohl die vielen unterschiedlichen sprachen, die es zu hoeren gibt. und insgesamt kommt es dem, was du, harold, ueber die aesthetik von field recordings schreibst, schon sehr nahe."

[ acoustic flux ] [ sonanismo ] [ bergsonian flux ] [ fifty2 ] [ magnetic {eye} ]

And then there was Gunter Krüger.
I was very happy to meet Gunter...
In the year 2000 he picked up the debris of magnetic tapes that he came across in the city of Jerusalem, during his stay at the Bezalel Academy of Fine Art there. Between march 01st and june 20th, he collected both cast away audio- and videotapes in the streets of Jerusalem. These found tapes in an intricate manner became - to a large extend - subject, content and script for his video-film entitled Magnetic {eye} - Jerusalem (2002).
And even though you will be able to see and hear what was on the tapes that Gunter found, you will, however, not encounter a single image of cassette- or video-tape, twisted, unthreaded, entangled, broken, or otherwise, in Magnetic {eye} - Jerusalem.

magnetic eyeThe film opens with images of a young israeli in a bar, or club, with loud music playing. He is asked: "Tell me, where can you go in Jerusalem, on a friday evening?" The young man starts summing up some clubs and places, but then adds that, "really, there is nothing going on in Jerusalem."
It is a curious start.
Is there nothing going on in Jerusalem?
In what follows the maker, in 33 short scenes, takes us to 31 different places in Jerusalem. Each of the scenes starts with a black screen. Then the name of a place is indicated: Henriette Szold Street; and a date: 15-06-2000. In the beginning of the film, for the first four scenes, the date is preceded by the indication 'videotape', or 'audiotape': this does suggest that what we (are about to hear) and/or see, is material recovered from magnetic tape found at the indicated spot on the indicated day; this then fades into a short film sequence shot at that same spot. And nothing much happens. Birds are singing. A flag is waving. We hear the distant sound of traffic, voices ... The first few chapters are like moving postcards (videa's) from a deserted suburbia.

Still from Magnetic {eye} Still from Magnetic {eye}
Still from Magnetic {eye} Still from Magnetic {eye}

As of the fifth spot (Efratah Street) the indication 'videotape' or 'audiotape' is no longer given. Maybe we are supposed to now have understood the idea, and as of now it should be clear what is the found material that triggered the scene?
We first become aware that there must be more to this city than the detached suburban emptiness that we witness, when we come to a place called Hussein Palace, 20.06.2000. We hear somewhat meditative sounding instrumental music, with an 'eastern air', using acoustic and electronic instruments. One of course suspects these sounds to be part of an audiotape found near there, but the chapter then surprisingly continues with shaky and coarse-grained black and white film footage of what looks like ruins on a hill top. That must be Hussein Palace ... But was this footage found there? Or is it a filmed sequence only made to look as if 'old and found'? Or maybe it was found elsewhere? Then color comes back in, and on the same spot a man is being interviewed, who explains that we are at the site of king Hussein's summer palace, the construction of which came to a grinding halt with the six day war of 1967.
Then there is other 'old and found looking' footage, and the chapter ends with some questions to a girl (maybe the man's daughter?). "Do you know what the name of this hill is?" she is asked. The girl hesitates, then says that she forgot ... We vaguely hear the sound of sirens, and then the music starts again.
For me this was a key moment: there are no answers ...
No answer as to what it is that is being celebrated or commemorated in Gershon Agron Street, and on Za'Hal Square where people are standing still, motionless, while sirens are wailing. And no answers to what is happening there in Jaffa Street, where the police closes off the road, while an officer carefully approaches what must be 'a suspicious parcel' left behind at a bus stop. And no answers even when, for (for the viewer) unclear reasons Gunter is being identity checked at King George V by some ferocious looking police men, who ask him: "How long are you here?" ... "And will you come back?" ... There are no answers ...

Still from Magnetic {eye} Still from Magnetic {eye}
Still from Magnetic {eye} Still from Magnetic {eye}

The subsequent absurdity of the three Ibn Shaprut sequences in the second part of the film, instructions on how to set a great cup of turkish Aladin coffee, breaks a lot of the tension built up in the detached, almost abstract, city places sequences, but in doing so they also add to 'the mystery'. Why this sketch? How is it related to the 'Creative Labs' intro, that does look like it came from a found video? The 'sketch' cannot be from a found tape, or can it? And the guy making the coffee, is that Gunter? How is this room, this 'inside' related to the outside 'found footage' spots? Can this be the room or apartment where the author was living during his stay in Jerusalem? Is that why Ibn Shaprut on the DVD's cover does not figure in the list of finding places? Is it a joke?

Magnetic {eye} - Jerusalem traces an idiosyncratic and erratic path through the city, high lighting a spot for no other reason than that (pieces of) magnetic tape were found lying there. It is a random walk with many surprises, and many interesting and sometimes funny encounters between found audio / video and the spots where they were found. (One of my favorites: that at Agripas Street.)

From a technical point of view, Gunter's project also seems to once more illustrate how much more difficult it is to 'restore' found video tape ( **** ) than it is to 'restore' audio tape. Much of the found video footage appears to be nearly impossible to 'track', and its playing back gives rise to not much more than what one might call a 'glitch clip'. Some of these are great, though ... (let me again mention a favorite: Shivtei Yisra'el Street).

I'm really pleased having found out about this work, which of course in spirit is very related to the Found Tapes Exhibition. It also makes me the more curious to see that other early 'found tapes' film that I know about, Lost Sound, by John Smith and Graeme Miller ... to enjoy, and compare ...

[ Unlike 'Lost Sound', you can watch Magnetic {eye}-Jerusalem online, in Quicktime format. And when you like it, of course you support the artist by ordering and buying, for only 15 euros, a copy of the DVD, that comes with many extras: a whole series of additional found audio tracks, a view according to finding place, and a whole series of 'chapters' corresponding to finds and finding spots, that did not make it to the final cut ... ]

notes __ ::
(*) This is the spanish text: "Entre los distintos niveles interpretativos desde los cuales puede analizarse esta pieza, es posible encontrar en ella una lectura crítica, o al menos irónica, respecto a ciertas asunciones típicas de los ámbitos creativos normalmente denominados como “arte digital”, “arte electrónico” o “media art” (ámbitos dentro de los cuales Sonanismo puede incardinarse fácilmente). Más allá de que el propio tema de la masturbación pudiera entenderse como una posible apelación al notable talante endogámico que caracteriza la difusión de las mencionadas prácticas artísticas (ya que la mayor parte de los asistentes a los festivales y muestras consagrados a estas actividades suelen ser personas dedicadas más o menos directamente a esas mismas actividades, produciéndose una curiosa identificación entre productores y receptores), la pieza también intenta plantear una reflexión acerca del concepto de interactividad, omnipresente en los citados ámbitos estéticos."[ ^ ]
(**) "{HARS/SIMON/VAN ALEBEEK - __Trio (3" CD-R by Postcard from Paris)} This is a total lo-fi affair, a 16-minute buzz of frenetic violin playing, found voice sounds, crude tape manipulations and bizarre rumblings. And, yes, it's great. Sure, the energy this must have had live is not captured, since the sound quality is pretty mediocre. However, this intensifies the lo-fi-character of the music even more and thus, rather than being a poor reproduction, it adds up to the existing. Right from the start they go at full volume, with snippets and washes of sound swirling in and out of the mix - or maybe rather mud. Schellinx's and van Alebeek's approach to working with tapes is not so much about radical abstraction, as for example Howard Stelzer's, but they are rather using their Dictaphones as playback devices with possibilities for spontaneously manipulating the sound, while the focus is on exploiting the inherent technical limitations to transform and obscure whatever sound finds is way on the tapes. So, as said, in combination with Simon's straightforward violin-scraping and blurred even further by the recording quality, this makes up for a great piece of lo-fi drone noise.
{HARS/VAN ALEBEEK - Fifty/Fifty (Tape and Walkman by Fifty/Fifty)}
Both Schellinx and van Alebeek turned fifty last December, and on this occasion they played a short concert together, which is now released on tape, in, of course, an edition of fifty. Music-wise this goes in the same direction as the trio recording reviewed above. Voices, singing and talking, found and plundered, play an even greater role, mixed with field recordings, rudimentary electronic noises and snippets of popular music (which I, as usual, cannot identify, although they sound so very familiar) and again obscured and melted together by the overall lo-fi sound. It's nice, albeit without Simon's violin it somehow lacks the upfront energy that was so fascinating about the recording reviewed above. However, this release is not only a tape, but each of the tapes comes with a functioning walkman cassette player (either found or bought second hand at garage sales, flea markets, thrift stores, etc.), and everything is packed in nice, individually decorated boxes. As a concept this is really great. It pushes the lo-fi aspect of the whole affair to the limit, with the inbuilt speakers of the walkmans transforming the sounds even further (at least that's how I imagine it, I only got a CD-R and played it back over the inbuilt speakers of my notebook) and combining it with the poetics of cheap disposable electronics and thrift store finds. (MSS)" [ ^ ]
(***) As we do not want to be accused of any form of favoritism, please note that we will gladly extend this offer to any other reviewer willing and able to publicly let his or her light shine on the Fifty/Fifty release. Please contact us by using the mail me link in the upper left part of this page. [ ^ ]
(****) Early on, when I began picking up cassette tape, I also collected the pieces of discarded VHS and other video tapes that I found lying around; but I gave that up when I found out how difficult and time consuming it was to wind video tape back into a video-cassette and have it play back without messing up over and over again ... I tried once or twice, but then decided to stick to audio. [ ^ ]

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the SOUNDBLOG is written and maintained by Harold Schellinx (Har$) since 2002. “Let me show you exactly what you are“( Sudoku 3, for double bass ) is the SB's latest entry, published january 3, 2025

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earlier entries:

  1. The _ookoide_
  2. Emigré : ik besta
  3. Home is my Rome
  4. Splintertjes van Eeuwigheid
  5. Piano, piano (1980-1983)
  6. Uit de kast: I am a sudokist
  7. Long live ookoi! (Leve ookoi!): a b.ookoipera / een tehoorspel
  8. RONALD HEILOO (1959-2024)
  9. Orlando & Artaud wed bound at La Générale Nord-Est, even
  10. Awesome Foursomes (xviii - 624)
  11. A Year in Rear, Stduio's 2023 [ d.ookoi writes b.ookoi (ii) ]
  12. Diktat rules in Brussels
  13. my future now, my promised land
  14. Awesome Foursomes (xi - 178)
  15. Awesome Foursomes (x - 789)
  16. Awesome Foursomes (ix - 329)
  17. Ethereal Reverberations. A Decade of unPublic
  18. Holland[s] Spoor
  19. Three days of residency at Les Ateliers Claus, Brussels
  20. De Nieuwe Beschaving
  21. For nothing and no one
  22. Three Musketeers Musicking Maastricht & La Générale
  23. Berlin: Zero Cohesion (3)
  24. Berlin: Zero Cohesion (2 = ©)
  25. Art History -)) Histoire de l'Art
  26. Berlin: Zero Cohesion (1)
  27. X-unPub
  28. Awesome Foursomes (viii - 664)
  29. Awesome Foursomes (vii - 138)
  30. "Manifeste"
  31. Awesome Foursomes (vi - 419)
  32. The Art of K7, vol. 1
  33. Oliebollen
  34. A Berlin Reader
  35. Awesome Foursomes (v - 954)
  36. The Art of K7 ~ Sudokaising [ii]
  37. 'Time-', for 12 upright piano's
  38. Awesome Foursomes (iv - 793)
  39. Awesome Foursomes (iii - 562)
  40. Awesome Foursomes (ii - 284)
  41. Awesome Foursomes (i - 019)
  42. Die Stillgestandenen
  43. d.ookoi writes b.ookoi (i)
  44. Playing Apart Together: Chuncheon↯Paris
  45. Ten years stuck on my iPad
  46. Lento (slowly)
  47. assemble/dissemble
  48. 24 Lullabies for a sick world
  49. "TRIO" for 3 piled baby grand piano's
  50. AC__« unPublic »
  51. GIALLO, by Etc
  52. The Art of K7 :: Sudoku Solution 2020 [i]
  53. STDUIO Arti: aLife @Hal-fIve
  54. STDUIO Arti: The Last Weekend
  55. Foundtapers & Foundtaping in Porto
  56. Freely improvised and non-academic electroacoustic music {as}[by] urban folk[s]
  57. Vive Le Placard ! Varia...
  58. The variegated insameness of lawless strthings
  59. ookoi 2.0: the remake of a spect[r]al b[r]and
  60. CCNL :: Cassette Culture in Linz, Austria (2)
  61. CCNL :: Cassette Culture in Linz, Austria (1)
  62. Lustrum non publicum
  63. T'obsolete or not t'obsolete [iv]
  64. Cross Countries Croissant
  65. Rage, rafts & refugees
  66. T'obsolete or not t'obsolete [iii]
  67. T'obsolete or not t'obsolete [ii]
  68. Between now and then, nine years from here
  69. T'obsolete or not t'obsolete [i]
  70. Moving out, of, on ... [ii]
  71. Moving out, of, on ... [i]
  72. 1024, 2016, 2M0M1X1VII7, 2027, 2029, ...
  73. Nicolas Collins - 2 April 2016, La Générale
  74. unPublic #18 - 대부도 (Daebu-Do), 14 June 2015 (by Ian-John Hutchinson)
  75. Emergence at/in the frontiers, fringes & trenches of contemporary music
  76. In Praise of Slowness
  77. Statues, Lenin, Dogs & Ruins
  78. Trust Us
  79. Situasonnisme: the City Sonic Festival
  80. SQWWO picture book
  81. SQWWO live in Brussels
  82. Bridges, troubles, water
  83. Luister is Pracht
  84. Elastic Lecture Nr.2 (for Namhee)
  85. Mal-là--colisé dans l'espace et dans le temps
  86. René Gude (1957-2015)
  87. The men once in green are now writing a book
  88. The eerie symmetry of a perfect ping
  89. String Quartet with windows, open
  90. Appearance and Reality
  91. Speculative Dancing
  92. Lecture de Cassette
  93. You are NOT Hier!
  94. La physicalité du son. Tome 1
  95. 12 - 11 - 9 - 10 - 3 - 6 - 7 - 1 - 2 - 8 - 4 - 5
  96. Le Temps Musical
  97. Cassettes, Candles & Champagne
  98. De Val van Chroom / The Fall of Chrome
  99. unPublic 1, 2 (sauf riverains)
  100. The Art of K7 (prelude)
  101. "At 19:07 the four helicopters flew over the Pont Neuf"

 

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Harold Schellinx - 'Re: Table. Rezzing Daniel Spoerri's 1961 Carcassonne table' (Extrapool/Knust, Nijmegen 2010)
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:.not so recent, recent & upcoming EVENTS.:

  1. s November 13 2024 - unPublic #109 - Paris (France)

  2. s November 11 2024 - unPublic #108 - Paris (France)

  3. s November 9 2024 - Yenting Hsu, Nori Kajio, Hsin-Yun Tsai & Har$, La Générale Nord-Est - Paris (France)

  4. s October 20 2024 - Har$ (solo), La Générale Nord-Est - Paris (France)

  5. s October 10 2024 - Miura, Volquartz, Kan & Har$, Tiasci - Paris (France)

  6. s October 9 2024 - unPublic #107 - Paris (France)

  7. s August 22 2024 - unPublic #106 - Paris (France)

  8. s August 4 2024 - unPublic #105 - Paris (France)

  9. s June 22 2024 - unPublic #104 - Paris (France)

  10. s June 3 2024 - unPublic #103 - Amsterdam (the Netherlands)

  11. s May 19 2024 - unPublic #102 - Paris (France)

  12. s April 25 2024 - Rébus & Har$ - Ontological Anteriority of Parasitism over the Normal and the Computable: Dissecting the politics of digital vs. analogue in contemporary music - Conference 'Politics of the Machines: Lifelikeness and beyond' (POM2024), Aachen (Germany)

  13. s January 9 2024 - unPublic #101 - Paris (France)

  14. s October 31 2023 - Diktat (with Shih-wen-Lee), Haekem Theatre, Brussels (Belgium)

  15. s October 18 2023 - unPublic #100 - Paris (France)

  16. s September 6 2023 - unPublic #99 - Rotterdam (the Netherlands)

  17. s September 4-11 2023 - Har$, Radio WORM residency, Rotterdam (the Netherlands)

  18. s September 3 2023 - Holland Spoor - Har$ & Rinus van Alebeek - Galerie HOK, Den Haag (the Netherlands)

  19. s September 2 2023 -Holland Spoor - Har$ & Rinus van Alebeek. Onze Ambassasde Festival - West, Den Haag (the Netherlands)

  20. s July 29 2023 - unPublic #98 - Paris (France)

  21. s July 23 2023 - unPublic #97 - Paris (France)

  22. s June 24 2023 - unPublic #96 - Paris (France)

  23. s June 14 2023 - unPublic #95 - Parc Floral, Paris (France)

  24. s May 11-13 2023 - Har$ & Diktat (with Shih-wen-Lee) and unPublics #93 & #94, Les Ateliers Claus (studio), Brussels (Belgium)

  25. s December 28 2022 - unPublic #92 - Utrecht (the Netherlands)

  26. s December 27 2022 - unPublic #91 - Amsterdam (the Netherlands)

  27. s December 3 2022 - Reading from TaUM (en/fr) - Har$ & Chen for radio Pi-Node, La Générale Nord-Est, Paris (France)

  28. s November 22 2022 - unPublic #90 - Paris (France)

  29. s November 22 2022 - van Alebeek, Wurstbrücke, Carcone & Har$ - La Générale Nord-Est, Paris (France)

  30. s November 19 2022 - unPublic #89 - Paris (France)

  31. s November 1 2022 - unPublic #88 - Paris (France)

  32. s August 7 2022 - unPublic #87 - Paris (France)

  33. s August 6 2022 - unPublic #86 - Maastricht (the Netherlands)

  34. s August 5 2022 - König, Rébus & Har$) - 't Keldertje LandbouwBelang, Maastricht (the Netherlands)

  35. s August 3 2022 - unPublic #85 - Paris (France)

  36. s June 26 2022 - ƸDikt (van Alebeek, Rébus & Har$) - Zero-Coherence @ Liebig12, Berlin (Germany)

  37. s June 25 2022 - unPublic #83 and unPublic #84 - Berlin (Germany)

  38. s June 24 2022 - unPublic #82 - Berlin (Germany)

  39. s June 22 2022 - unPublic #81 - Paris (France)

  40. s February 25 2022 - unPublic #80 - Paris (France)

  41. s January 23 2022 - unPublic #79 - Orléans (France)

  42. s November 11 2021 - unPublic #78 - Paris (France)

  43. s October 19 2021 - Etc ... Giallo!, finissage Guy Maddin expo - The Film Gallery, Paris (France)

  44. s August 6 2021 - unPublic #77 - Ars-en-Ré (France)

  45. s July 14 2021 - unPublic #76 - Amsterdam (the Netherlands)

  46. s June 27 2021 - unPublic #75 - Paris (France)

  47. s April 25 2021 - unPublic #74 - Paris (France)

  48. s April 18 2021 - unPublic #73 - Chuncheon (South-Korea) ↯ Paris (France)

  49. s March 21 2021 - unPublic #72 - Paris (France)

  50. s December 22 2020 - unPublic #71 - Paris (France)

  51. s October 18 2020 - unPublic #70 - Paris (France)

  52. s May 24 2020 - unPublic #69 - 4th corona con~fine cyber.uP

  53. s May 16 2020 - unPublic #68 - 3rd corona con~fine cyber.uP

  54. s April 26 2020 - unPublic #67 - 2nd corona con~fine cyber.uP

  55. s April 18 2020 - unPublic #66 - 1st corona con~fine cyber.uP

  56. s February 22 2020 - unPublic #65 - Paris (France)

  57. s January 10-26 2020 - ookoi presents: Stduio Arti. Arti et Amicitiae, Amsterdam (the Netherlands). Daily. Live event: January 16, 13h-18h

  58. s December 17 2019 - Pascal Marzan, Jean Bordé & Har$. Tiasci, Paris X (France). 20h30

  59. s December 1 2019 - Giallo by ETC - Carcone, Foschia, Har$. Les Nautes, Paris IV (France). 20h30

  60. s November 28 2019 - unPublic #64 - Paris (France)

  61. s November 10 2019 - Har$. Foundtaping & Found Tapes Exhibition Lecture, Porto (Portugal). 19h

  62. s November 6 2019 - unPublic #63 - Paris (France)

  63. s October 6 2019 - Yoko Miura, Kentaro Suzuki, Marco Caccialupi, Judith Kan & Har$. Tiasci, Paris X (France). 20h

  64. s September 29 2019 - Live K7 Sudoku, by Har$. 'Do Not Interrupt Your Activity', La Générale, Paris XI (France). 19h30

  65. s September 21 2019 - unPublic #62 - Paris (France)

  66. s August 23 2019 - Freely improvised and non-academic electroacoustic music as urban folk, Rébus & Har$. International Conference 'Re-Sound. Media-art etc' - Aalborg (Denmark)

  67. s July 30 2019 - unPublic #61 - Amsterdam (the Netherlands)

  68. s July 14 2019 - unPublic #60 - Paris (France)

  69. s July 7 2019 - unPublic #59 - Paris (France)

  70. s November 27 2018 - unPublic #58 - Paris (France)

  71. s November 12 2018 - unPublic #57 - Montreuil (France)

  72. s October 18 2018 - unPublic #56 - Bures-sur-Yvette (France)

  73. s October 16 2018 - unPublic #55 - Paris (France)

  74. s October 14 2018 - "Bizar, bizar, bizar" ~ ookoi 2.0. Ploeg + Werk Party - Paradiso, Amsterdam (the Netherlands), 21h45

  75. s October 14 2018 - Global Garage's Utopian Mind Station, closing event of the 20th FCDEP. Joris Guibert, Mitsuaki Matsumoto, Gisèle Papa, Hector Castells, Arno Bisselbach, Claude Parle, Rébus, Har$; directed by Marc Plas - Grand Action, Paris V (France), 21h

  76. s October 2 2018 - Har$, Rébus, Jean-Michel Susini, Fred Marty, Yoko Miura - Tiasci, Paris X (France), 20h30

  77. s July 14 2018 - unPublic #54 - Paris (France)

  78. s July 11 2018 - Har$, OÖ Kulturquartier. Linz (Austria), 20h

  79. s July 9 2018 - Har$, Found Tapes. Cassette Culture Node.Linz (Austria), 20h

  80. s July 8 2018 - Har$, Kunst mit Tapes machen!. Cassette Culture Node.Linz (Austria), 17h

  81. s June 28 2018 - Esthétique de l'effacement, Rébus & Har$, Les Grands Voisins, Paris XIV. 20h

  82. s June 24 2018 - An Ti Na de Dora Tal, avec Emmanuel Coutris, Raphael Raffi Derderyan & Har$, Péniche le Marcounet, Paris IV. 15h

  83. s June 14 2018 - unPublic #53 - Paris (France)

  84. s June 03 2018 - unPublic #52 - Brussels (Belgium)

  85. s June 02 2018 - Rébus & Har$ ; OMFI 32, Lamab - Brussels (Belgium) ; 19h30

  86. s April 29 2018 - unPublic #51 - Seoul (South Korea)

  87. s March 17 2018 - Car-tet: Dora Tal, Claude Parle, Rébus & Har$. Tiasci - Paris (France)

  88. s February 5 2018 - unPub.L.ic: #50 - Paris (France)

  89. s February 4 2018 - DIKTAT - Rinus van Alebeek, Jean Bordé Rébus & Har$ - La Générale, Paris (France), 16h & 20h30

  90. s February 3 2018 - unPublic #49 - Paris (France)

  91. s January 28 2018 - ETC - Anthony Carcone, Jacques Foschia & Har$ - La Générale, Paris (France), 20h30

  92. s November 10 2017 - unPublic #48 - IRCAM, Paris (France)

  93. s November 8 2017 - "unPublic: Theory and practice of musical, cultural and social hacking outside the manufactured normalcy field", Rébus & Har$. International Conference 'Music & Hacking', Musée Quai Branly - Paris (France)

  94. s November 5 2017 - unPublic #47 - Montreuil (France)

  95. s November 4 2017 - unPublic #46 - Paris (France)

  96. s July 24 2017 - unPublic #45 - Paris (France)

  97. s June 28 2017 - unPublic #44 - Tokyo (Japan)

  98. s June 26 2017 - Yoko Miura, Osamu Kuroda, Kanji Nakao, Yuka Kanekio, Sachie Tamori & Har$ - Le Violon, Tokyo (Japan)

  99. s May 26 2017 - unPublic #43 - Paris (France)

  100. s May 11 2017 - unPublic #42 - Vincennes (France)

  101. s May 5 2017 - Dora Tal, James Nichols, Rébus & Har$ - Babilo, Paris (France), 20h

  102. s April 28 2017 - unPublic #41 - Vincennes (France)

  103. s March 21 2017 - unPublic #40 - Paris (France)

  104. s February 24 2017 - "Une de mes pensées pour un parmi vous devenait invisible" - Tristan Padelle, Vincent Reduron, Emmanuel Coutris, Dora Tal & Har$ - Babilo, Paris (France), 20h

  105. s February 10 2017 - unPublic #39 - 聽說 (Ting Shuo hear say) Studio, Tainan City (Taiwan)

  106. s January 23 2017 - unPublic #38 - Kaohsiung City (Taiwan)

  107. s January 13 2017 - "Improvise, improvisée" - Thierry Marietan, Tristan Padelle, Vincent Reduron, Dora Tal & Har$ - Tiasci, Paris (France), 20h30

  108. s December 30 2016 - unPublic #37 - Brussels (Belgium)

  109. s December 18 2016 - unPublic #36 - Paris (France)

  110. s November 12 2016 - unPublic #35 - Paris (France)

  111. s November 1 2016 - Strange Fruit - Yoko Miura, Jean Bordé, Anthony Carcone & Har$ - La Friche, Paris XI (France), 14h

  112. s September 8 2016 - Rafaële Arditti, Jean Bordé, Emmanuel Courtris & Har$ play Dora Stalidou's ... dans un ensemble de crystal - Babilo, Paris XVIII (France), 20h30

  113. s August 25 2016 - unPublic #34 - Taipei City (Taiwan)

  114. s July 5 2016 - 130 Steps Up. With Blenno Wurstbrücke a.o., Paris IX

  115. s June 27 2016 - unPublic #33 - Berlin (Germany)

  116. s June 19 2016 - unPublic #32 - The Logic of Freedom, Paris (France)

  117. s May 19 2016 - Har$. Talkshow "1968", Paradiso, Amsterdam (the Netherlands)

  118. s May 11 2016 - Rébus & Har$. Micro- and macrostructural emergence in free improvisation, sound-art and composition (lecture-presentation), Colloque L'Emergence en Musique (Festival aCROSS '16), Plaisir/Versailles (France)

  119. s May 01 2016 - unPublic #30 - Volkmann, Volco, Kan, Wang & Har$. Vincennes (France)

  120. s April 26 2016 - unPublic #29 - Tarnopolsky, FlexRex, Carcone & Har$. Montreuil (France)

  121. s April 24 2016 - unPublic #28 - Felipe, Greuters, FlexRex, Carcone, Rébus & Har$. Montreuil/Paris (France)

  122. s April 09/10 2016 - Rébus & Har$. Emergency/Emergence. Placard @Résidence 87, Paris (France), 00h00

  123. s April 08 2016 - Naoki Kita, Michael Nick, Yaping Wang, Rébus & Har$. Chez Madeleine, Saint-Ouen (France), 20h30

  124. s March 06 2016 - Fouquet, Wang & Har$. La Guillotine, Montreuil (France), 17h

  125. s March 01 2016 - unPublic #27 - Ghent, Chi, Zhang, Wang & Har$. Paris (France)

  126. s Jan. 14 2016 - "Trust Us" - Opening performance, with Michael Ghent, Agnès Belkabi, Anthony Carcone, Rébus & Har$. Mains d'Oeuvres, Saint-Ouen (France)

  127. s Dec. 20 2015 - unPublic #26 - Parisi, Caccialupi, Kan, Wang, Rébus & Har$. Vincennes (France)

  128. s Nov. 29 2015 - unPublic #25 - Der Rufer, Tengger, Ivanne Barberis, Yaping Wang, Rébus & Har$. Paris XI (France)

  129. s Nov. 20 2015 - unPublic #24 - Yaping Wang, Yoko Miura, Jean Bordé & Har$. Vincennes (France)

  130. s Nov. 8 2015 - unPublic #23 - Manli Zhang, Chi Po-Hao, Toni Dimitrov, Jovan Lambseski, Rébus & Har$. La Générale, Paris XI

  131. s Nov. 7 2015 - "In Praise of Slowness", Креативен викенд (Kreativen Vikend) pesentation, La Générale, Paris XI

  132. s Oct. 28 2015 - unPublic #22, Belgrade (Serbia)

  133. s Oct. 26 2015 - Har$, Rébus & Bojan Sungulov - Live radio performance Kanal 103, Skopje (Republic of Macedonia)

  134. s Oct. 24 2015 - unPublic #21, Lazaropole (Republic of Macedonia)

  135. s Oct. 23-25 2015 - Креативен викенд (Kreativen Vikend), Lazaropole (Republic of Macedonia)

  136. s Sept. 27 2015 - Har$ & Rébus - K7 performance. City Sonic Festival, Mons (Belgium)

  137. s Sept. 11-27 2015 - Har$ - Found Tapes Exhibition, photo expo + audio stream. City Sonic Festival, Mons (Belgium)

  138. s Sept. 6 2015 - Har$, Rébus, Mobin - live K7 impro. Tapage Nocturne, France Musique - 23h

  139. s Sept. 3 2015 - Har$, Rébus, Mobin - live recording for Radio France

  140. s July 11 2015 - unPublic #20, Les Ateliers Claus, Brussels (Belgium)

  141. s July 10 2015 - Perf-ArtK7: Mobin, Rébus, McJJ & Har$ - Recyclart, Brussels (Belgium)

  142. s July 9-10 2015 - Har$'s String Quartet with windows, open (24 hours) - Recyclart, Brussels (Belgium)

  143. s June 27 2015 - A Bridge for Jodi - unPublic #19: Rose, König, Rébus, Har$. Paris XI (France)

  144. s June 14 2015 - unPublic #18: Lee, Abdelhamid, Hutchinson, Rébus. 대부도 / Daebu-do (South-Korea)

  145. s June 13 2015 - Etc..., Espace en Cours, Paris XX (France). 19h30

  146. s May 13 2015 - Bordé, Heyden, Rébus & Har$ - Tiasci, Paris X (France). 20h30 (10€ PAF)

  147. s May 6 2015 - Rébus & Har$. Lecture-performance: A433, ou le LA de Schrödinger - Gare Expérimentale, Paris XII

  148. s Apr. 12 2015 - Un-public #17: Kwon, Nick, Carcone, Har$. Galerie 43, Paris XIII.

  149. s Apr. 4 2015 - Last Supper - Un-public #16. La Générale, Paris XI. Invitation only.

  150. s Apr. 4 2015 - Har$: Elastic Lecture Nr. 2 - (L'I-m-a-g-e E-s-t U-n O-b-j-e-t E-l-a-s-t-i-q-u-e). La Générale, Paris XI. 17h

  151. s Apr. 3 2015 - DIKTAT - "Happy Birdday, Dinah!", Panthère Ose, Paris IX (France). 19h

  152. s Mar. 24 2015 - "Mal Localisé Dans Le Temps et Dans L'Espace" (L'I-m-a-g-e E-s-t U-n O-b-j-e-t E-l-a-s-t-i-q-u-e), Friches et Nous La Paix, Paris XX (France). 19h

  153. s Mar. 23 2015 - Secret Tape Research Lab, w/ Anton Mobin, Blenno Wurstbrücke & Har$. DIYChurch - Parsons, Paris (France). 18-20h

  154. s Mar. 05 2015 - Un-public #15. With Jeff Kolar, Dinah Bird, Anton Mobin, E_Rébus & Har$. Paris (France)

  155. s Dec. 19 2014 - Yoko Miura, Anthony Carcone, Jean Bordé, Rébus & Har$. Tiasci, Paris X (France). 20h30 (10€ PAF)

  156. s Dec. 12 2014 - Un-public #14. With Rain, Michael Nick, Cécile Zylberajch, Jacques Foschia, Anthony Carcone, E_Rébus & Har$. Paris (France)

  157. s Dec. 11 2014 - E t c ... (w./ Anthony Carcone, Jacques Foschia, Har$ & Cécile Zylberajch). Semaine du Bizarre - Théatre Municipal Berthelot, Montreuil (France). 20h30

  158. s Dec. 09 2014 - Un-public #13. With Abril Padilla, Anthony Carcone, E_Rébus & Har$. Paris (France)

  159. s Nov. 23 2014 - Un-public #12. Apassionato. With Francis Larvor, Claude Parle, Yoko Miura, Jean Bordé & Har$. Vincennes (France)

  160. s Nov. 2 2014 - DIKTAT at the Volkspaleis/Zuiderstrandtheater, Den Haag/Scheveningen, the Netherlands. 22h

  161. s Oct. 25/26 2014 - String Quartet with windows, open - 24 hour broadcast, Radio On Berlin

  162. s Oct. 16 2014 - Un-public // 11. Free reeds. With Ian-John Hutchinson, Yoko Miura, E_Rébus & Har$. Paris (France)

  163. s Sept. 21 2014 - Un-public // 10. With Pierre-Jean Vranken, Jean-Jacques Duerinckx, E_Rébus & Har$. Vincennes (France)

  164. s Sept. 13 2014 - Carcone, Rébus & Har$ (Etc...) Festival Le Gal Gal, Beaumont-sur-Dême (France)

  165. s July 27 2014 - Un-public // 9. With Kaspar Koenig, E_Rébus & Har$. Gonten (Switzerland)

  166. s July 24 2014 - Koenig, Rébus & Har$: In Vitrio - The First Great Gutter, Sihlhallenstrasse 4, Zürich (Switzerland).

  167. s July 22 2014 - Un-public // 8. Appearance and Reality. With Laura Wetherington & Har$. American Library in Paris (France)

  168. s May 24-26 2014 - (24 hours) String Quartet with windows, open - Har$. World premiere. Kunsttour, Maastricht (the Netherlands).

  169. s May 10 2014 - Daar & Hier - ookoi/stduio: performative lecture at the Locative Media and Sound Art symposium, Budascoop, Kortrijk (Belgium).

  170. s May 3 2014 - Rémanence Magnétique - Har$, Rébus, Wurstbrücke & Anton Mobin, Palais de Tokyo, Paris XVI (France). 17h.

  171. s Apr. 6 2014 - La Physicalité du son, tome 1 - Sonic Protest, La Générale, Paris XI (France). 20h.

  172. s Apr. 4 2014 - How To Deconstruct Young Lions - ULTRA! Dinner presentation, KuuB Ruimte voor Kunst en Cultuur. Utrecht (The Netherlands)

  173. s Mar. 24 2014 - Un-public // 7. Rites of Spring. With Andy Guhl, Anthony Carcone, E_Rébus & Har$. Un-derground bunker, Paris (France)

  174. s Feb. 18 2014 - Un-public // 6. Speaking in tongues. With Vu Nhât Tân, Nguyen Kim, Emilie Mouchous, Marina Goussina, FlexRex, Jean Bordé & Har$. La Générale, Paris XI (France)

  175. s Feb. 8 2014 - Un-public // 5. Wie die Zeit vergeht. With Jeff Kolar, Hanna B., Anton Mobin, E_Rébus & Har$. Vincennes (France)

  176. s Feb. 6 & 7 2014 - Séminaire Le Temps Musical, with Eliane Radigue, Jeff Kolar, Rébus, Har$, and others. Le Cube, Issy-les-Moulineaux (France)

  177. s Jan. 15 2014 - DIKTAT (with Anne-F). Centre d'Animation de la Place des Fêtes, Paris XIX (France). 20h30

  178. s Dec. 21 2013 - Un-public // 4. Cassette Ritual (2013=C50). With Anton Mobin, Blenno Wurstbrücke, E_Rébus & Har$. La Générale, 2ème ét., Paris XI (France)

  179. s Nov. 28 2013 - Un-public // 3. With Mitsuaki Matsumoto, Yoko Miura, Dominique Bertrand, E_Rébus & Har$. Paris (France)

  180. s Nov. 16 2013 - Un-public // 2. With Yoko Miura, Marina Goussina, Anthony Carcone, Jean Bordé, E_Rébus & Har$. Vincennes (France)

  181. s Nove. 10 2013 - зáумь / zaum: Marina Goussina, Harold Schellinx & E_Rébus. Espace en Cours, Paris (France)

  182. s Oct. 18 2013 - Un-public // 1. With Yoko Miura, Doan Tri Minh, Jean Bordé, E_Rébus & Har$. Paris (France)

  183. s Sept. 25, 2013 - ULTRA in 5 minutes. Ignite #30, Mediamatic Fabriek, Amsterdam (the Netherlands)

  184. s Aug. 30, 2013 - Hollands Spoor. 2013 = C50. Tales for Tapes #10, Berlin (Germany)

  185. s July 20, 2013 - Erébus & Har$ Le Placard First Floor Générale, Sèvres (France)

  186. s June 29 - 30, 2013 - E t c ... [Carcone, Foschia, Schellinx & Zylberajch]. Festival des Ephémères, Paris (France), 4 x 30 min.

  187. s June 28 - 29, 2013 = C50. Tales for Tapes #9. (Lang Leve Lou Ottens!) Kobe, Ivry-sur-Seine (France)

  188. s June 14, 2013 - ookoi, Wandelzand premiere, Ameland (the Netherlands)

  189. s May 25, 2013 - Loran, Dora, Azuda, Jean & Har$. Chez Adel, Paris X (France), 18h

  190. s May 18 - 20, 2013 - Re: Table (performance/installation) - Kunsttour 2013, Wiebengahal, Maastricht (the Netherlands).

  191. s April 19-20, 2013 - Y.Numbr. Rietveld/NASA, Amsterdam (the Netherlands).

  192. s April 6, 2013 - Cultuurnacht, radio show. Heerlen (the Netherlands).

  193. s March 17, 2013 - C50 - Lang Leve Lou Ottens! KKWNE web radio, Paris (France).

  194. s Feb. 1, 2013 - D(emacker), S(chellinx) & M(ertens) - GRAUZONE Festival, De Melkweg, Amsterdam (the Netherlands).

  195. s Oct. 2, 2012 - DIKTAT. Incubatort Arts Project, St. Mark's Church-in-the-Bowery, 2nd Floor, 131 East 10th St., New York (USA).

  196. s Oct. 1, 2012 - DIKTAT, Panoply Performance Laboratory, 104 Meserole St., Brooklyn, New York (USA)

  197. s Sep. 28, 2012 - DIKTAT @ Sonic Circuits Festival, Washington (USA).

  198. s Sep. 27, 2012 - DIKTAT @ Martin Art Gallery, Allentown (USA).

  199. s Sep. 13, 2012 - DIKTAT @ Trashvortex, Ivry sur Seine (France). 20h30

  200. s Aug. 30 - Sept. 2, 2012 - ULTRA - De Musical @ Mini-tour + Steve Lake + GW Sok: Maloe Melo - Amsterdam, De Vinger - The Hague, ACU - Utrecht (the Netherlands).

  201. s July 27-30, 2012 - Har$ @ Placard XV. Paris (France), 4x

  202. s July 14, 2012 - Har$ & La Vie de Bohème [Smikkelbaard 7" vinyl live pre-view]. Sub071, Leiden (the Netherlands), 21h

  203. s July 2-4, 2012 - Citynumberscapes: London, Amsterdam Paris. ResonanceFM, Clear Spot (8-9 pm, UK time).

  204. s June 30 - July 1, 2012 - Arbre Etc [Carcone, Foschia & Schellinx]. Festival des Ephémères, Paris (France), 6 x 30 min.

  205. s June 17, 2012 - ULTRA @ Bongo at the Bieb - Amsterdam FM. Public Library, Amsterdam (the Netherlands). 14h-15h

  206. s May 19, 2012 - ULTRA Presentation/Performance @ 'This is not a punk lecture', Centraal Museum, Utrecht (the Netherlands)

  207. s April 24, 2012 - ULTRA@Steim. Ultra-Nu, with Bertin, ookoi + Instruments, a.o., STEIM, Amsterdam (the Netherlands), 20h

  208. s April 20+21, 2012 - YLTRA audio workshop, Rietveld Academy/Club Karlsson, Amsterdam (the Netherlands)

  209. s April 20, 2012 - ULTRA @ OBA Live, Radio 5. Public Library, Amsterdam (the Netherlands), 20h

  210. s April 7, 2012 - ULTRA 2012 - Final: lectures, panel discussion + events + concerts, De Melkweg, Amsterdam (the Netherlands), 19h (tickets: €20,-)

  211. s April 7, 2012 - ULTRA, presentation + surprise concert, Concerto, Amsterdam (the Netherlands), 15h-16h

  212. s March 16, 2012 - ULTRA Underground Cinema. Galerie De Inkijk, metrostation Weesperplein, Amsterdam (the Netherlands), 19h30h

  213. s March 12-16, 2012 - ULTRA, No Future Nu & Bibikov: 2x daily book readings + performances, Galerie De Inkijk, metrostation Weesperplein, Amsterdam (the Netherlands), 8h-9h, 17h30-18h30

  214. s March 11, 2012 - ULTRA 2012, events + concerts, Dansmakers, Amsterdam (the Netherlands), 20h30 (tickets: €25,-)

  215. s March 11, 2012 - Opening ULTRA, No Future Nu & Bibikov, Galerie De Inkijk, metrostation Weesperplein, Amsterdam (the Netherlands), 16h

  216. s March 10, 2012 - ULTRA 2012, presentation, events + concerts, Worm, Rotterdam (the Netherlands), 20h

  217. s March 9, 2012 - ULTRA 2012, presentation, events + concerts, TAC, Eindhoven (the Netherlands), 20h

  218. s March 8, 2012 - ULTRA 2012, presentation, events + concerts, Extrapool, Nijmegen (the Netherlands), 20h

  219. s March 7, 2012 - ULTRA, Book Presentation + Schellinx/Duerinckx/Mobin + Minny Pops Drastic Measures, Drastic Movements suite, Ateliers Claus, Brussels (Belgium). 20h30

  220. s March 2, 2012 - ULTRA + No Future Nu. Aan tafel bij VPRO's De Avonden tijdens opening God Save The Queen tentoonstelling. Centraal Museum, Utrecht (the Netherlands) (Opening expo invitation only)

  221. s March 1, 2012 - ULTRA, Book Presentation, W139, Amsterdam (the Netherlands), 19h (invitation only)

  222. s Feb. 29, 2012 - Red Light ULTRA Schrikkelshow, Red Light Radio, Amsterdam (the Netherlands). 17-18h

  223. s Jan. 27, 2012 - Paris Rape Run 2 Presentation, Instants Chavirés, Montreuil (France) 20h30

  224. s Jan. 22, 2012 - Schellinx & van Alebeek: Hollands Spoor. Le Bouillon Belge, Paris (France) 21h

  225. s Jan. 17, 2012 - Diktat & guests - Magnetic Remancence. La Générale Nord-Est, Paris (France) 19h30

  226. s Jan. 16, 2012 - Diktat - Magnetic Remancence. Songs of Praise, Radio Aligre FM - Paris (France) 19h30 -21h

  227. s Jan. 14, 2012 - ULTRA, Opkomst & Ondergang. Muzikale lezing. Noorderslag, Oosterpoort, Groningen (the Netherlands). 12h30

  228. s Dec. 31, 2011 - Seventy Seconds in the toilets @ Hard Hoofd New Year ' Party , Kriterion, Amsterdam (the Netherlands).

  229. s Dec. 16, 2011 - Seventy Seconds @ Hard Hoofd/Entrée Late Night Café, Concertgebouw, Amsterdam (the Netherlands). 22h30

  230. s Dec. 10, 2011 - Geluid als taal en teken. Muziek als paal en perk. Presentation/lecture, (h)ear Festival, Heerlen (the Netherlands).

  231. s Dec. 15+20, 2011 - Found Tapes @ K7eurs. Tape's Not Dead. ARTE TV, Tracks.

  232. s Dec. 13-30, 2011 - Found Tapes @ Neue Positionen. Der Fortschritt. Intro In situ, Maastricht (the Netherlands).

  233. s Dec. 8, 2011 - Raudio ULTRA, met Wiel Seuskens &. Peter Mertens, Red Light Radio, Amsterdam (the Netherlands). 20h

  234. s Nov. 17-26, 2011 - Seventy Seconds @ Hard Hoofd Tentoonstelling, Artpocalypse, Amsterdam (the Netherlands).

  235. s Sept. 24-25, 2011 - Found Tapes @ Neue Positionen (Art Focus Euregio), Atelierhaus, Aachen (Germany).

  236. s Sept. 11-12, 2011 - Resonance Network meeting, Berlin (Germany) - @resonancenet

  237. s Sept. 9-11, 2011 - Found Tapes @ Neue Positionen (Art Focus Euregio), Hasselt (Belgium)

There is a selection of SoundBlog Podcasts, published between 2006 & now, over at Soundcloud
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mail   try /hars7 at mac com/

our podcasts:

Raudio Podcast

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